Senin, 16 Januari 2012

Casshern Sins: Part 1

  • Salvation is the ruin of man and machine.Casshern a cybernetic assassin with no memory of his past awakens in a corrosive wasteland where nothing survives for long. A plague known as the Ruin sweeps across this once-vibrant world, reducing everything in its path to rubble and scattering any chance for salvation. Robots and humans alike or what little remains of them seek vengeance against Casshern
No Description Available.
Genre: Foreign Film - Japanese
Rating: NR
Release Date: 16-OCT-2007
Media Type: DVDKiriya Kazuaki’s spectacular Casshern is an impressive marriage of live action drama and animated effects that, taken together, look like something both very old and very new in cinema. A wild, science fiction tale with an echo or two of Bladerunner, Casshern is set in a dystopian future following a 50-year-long war between Europe! and Asia. The latter wins, calling the resulting Eurasia the "Eastern Federation," but the high-tech weapons used in the battle have affected the whole of mankind through widespread devastation and illness. A geneticist whose son, Tetsuya (Yusuke Iseya), has gone off to fight terrorists, promises the military his work on "neo cells" will result in the cultivation of spare human parts for the wounded and afflicted. But two unexpected results occur: a small band of superhuman mutants rise up out of the scientist’s chemical muck, and Tetsuya--killed in battle--is brought back to life with his own superpowers. While the mutants rise up against the human race, Tetsuya, now known as "Casshern," takes them on against a fascinating psychological backdrop with Oedipal overtones. The film’s look of hyperreal, pop culture pastiche (in which action often evokes the look of 1930s movie serials blended with a whirl of dreamy, free-associating images) is reaching for the same thing a! s Sky Captain and the World of Tomorrow. But it is much! grander in its effort. --Tom KeoghCasshern â€" a cybernetic assassin with no memory of his past â€" awakens in a corrosive wasteland where nothing survives for long. A plague known as the Ruin sweeps across this once-vibrant world, reducing everything in its path to rubble and scattering any chance for salvation. Robots and humans alike â€" or what little remains of them â€" seek vengeance against Casshern for the life he took and the role he played in their Ruin. A machine built to kill, Casshern murdered the last hope for this world, but now, lost in a future he does not recognize, he will fight to save the dying.Enslaved by an army of rebellious super-robots originally designed to help civilization avert a complete ecological cataclysm, mankind's only hope is CASSHAN, a legendary hero who wages a solitary war to defeat these NEOROIDS and restore the Earth to its rightful order. Ironically, Casshan's father is the same scientist who engineered the race of super android! s now threatening to destroy all of mankind. On a crusade to clear the name of his father, Casshan must sacrifice his own humanity in order to attain the powers he needs to defeat mankind's powerful enemies. But Casshan's power does not come without a price. Haunted by the memories of his murdered mother and forced to deal with a super robot that has absorbed, and now manipulates, the consciousness of his father, Casshan must put aside his own emotions and fight to preserve the survival of the human race. An extraordinary tale of science fantasy and social relevance, CASSHAN is a story of man's best laid plans paving the way to potential destruction. Animation filled with bold action, pure adventure and remarkable depth. Based on the classic Manga. Casshern is Anime meets the matrix in style.Casshern â€" a cybernetic assassin with no memory of his past â€" awakens in a corrosive wasteland where nothing survives for long. A plague known as the Ruin sweeps across thi! s once-vibrant world, reducing everything in its path to rubbl! e and sc attering any chance for salvation. Robots and humans alike â€" or what little remains of them â€" seek vengeance against Casshern for the life he took and the role he played in their Ruin. A machine built to kill, Casshern murdered the last hope for this world, but now, lost in a future he does not recognize, he will fight to save the dying.Casshern Sins (2008) is a reboot of Tatsuo Yoshida's Casshan Robot Hunter (1973), which was adapted to an OAV in 1993 and a live-action feature in 2004. Sins contains almost nothing of the original story, in which cybernetic hero Casshan fought the robot-soldiers of the evil Braiking Boss in a postapocalyptic landscape. Casshern isn't sure if he's a robot, a human, or a cyber-combination. He has no memories of who he is or what he's done, but everyone he meets insists he killed Luna, "the Sun Named Moon." As a result, Earth is staggering to its end. All that remains are a few people and three types of robots: human-lo! oking ones who express emotions; puppetlike semi-humans; and big, nasty warrior-bots. In every episode, Casshern performs gymnastic flips and spins as he pounds the evil robots into so much scrap metal. But all the robots are succumbing to "the Ruin," a sort of mechanical plague that causes them to crumble into rusty flakes. As Casshern roams the wastelands and ruined cities with his robot-dog Friender, he hears rumors that Luna may still exist---and any otaku worth their salt can guess which supporting character she'll turn out to be. Director Shigeyasu Yamauchi choreographs the fights scenes skillfully, using a combination of CG and drawn animation to present the acrobatic battles. But Casshern's amnesia means other characters deliver endless expository speeches, trying to untangle the needlessly complicated plot. (Rated TV MA: violence, violence against women, grotesque imagery) --Charles Solomon

(1. At the End of the World, 2. A World Replete with Death! Throes, 3. To the Ends of Agony, 4. The Angel of Ruin, 5. The! Man Who Killed the Sun Named Moon, 6. Reunited with Fate, 7. The Woman of the Tall Tower, 8. A Hymn of Hope, 9. The Flower That Blooms in the Valley of Ruin, 10. The Man Entrapped by the Past, 11. By One's Calling, 12. Turn the Time Lived to Color)

Minggu, 15 Januari 2012

THE BREAKFAST CLUB 24X36 COLOR POSTER PRINT

  • Description: High Quality real photograph printed on Fuji Paper.
  • Size: 24X36 inches
The Philosophical Breakfast Club recounts the life and work of four men who met as students at Cambridge University: Charles Babbage, John Herschel, William Whewell, and Richard Jones.  Recognizing that they shared a love of science (as well as good food and drink) they began to meet on Sunday mornings to talk about the state of science in Britain and the world at large.  Inspired by the great 17th century scientific reformer and political figure Francis Baconâ€"another former student of Cambridgeâ€"the Philosophical Breakfast Club plotted to bring about a new scientific revolution.   And to a remarkable extent, they succeeded, even in ways they never intended.
 
 Historian of science and philosopher Laura J. Snyder exposes the political passions, religious impulses, fr! iendships, rivalries, and love of knowledgeâ€"and powerâ€"that drove these extraordinary men.  Whewell (who not only invented the word “scientist,” but also founded the fields of crystallography, mathematical economics, and the science of tides), Babbage (a mathematical genius who invented the modern computer), Herschel (who mapped the skies of the Southern Hemisphere and contributed to the invention of photography), and Jones (a curate who shaped the science of economics) were at the vanguard of the modernization of science.
 
This absorbing narrative of people, science and ideas  chronicles the intellectual revolution inaugurated by these men, one that continues to mold our understanding of the world around us and of our place within it.  Drawing upon the voluminous correspondence between the four men over the fifty years of their work, Laura J. Snyder shows how friendship worked to spur the men on to greater accomplishments, and how it enabled them ! to transform science and help create the modern world.

!
F rom the Hardcover edition.No Description Available.
Genre: Soundtracks & Scores
Media Format: Compact Disk
Rating:
Release Date: 25-JAN-1988Few could challenge John Hughes in 1980s teen coming-of-age flicks. This brat-pack extravaganza boasts the anthemic "Don't You (Forget About Me)" by Simple Minds, a hit so large it vaulted them into the collective consciousness. The rest of it is more disposable. Elizabeth Daily (aka E.G.) was a kindred spirit of Pia Zadora in that people kept trying to make her famous, although in retrospect it's hard to figure out why. The Karla DeVito track "We Are Not Alone" still wears well, although it may be because it's synonymous with some great imagery from the movie. Producer Keith Forsey went on to work with Billy Idol and Charlie Sexton with mixed results. --Scott WilsonEmilio Estevez as Andrew 'Andy' Clark, Anthony M Hall as Brian Ralph Johnson, Judd Nelson as John Bender, Molly Ringwald a! s Claire Standish and Ally Sheedy as Allison Reynolds in The Breakfast Club: At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!

Jumat, 13 Januari 2012

Freestyle Women's FS80981 Shark Yellow Red Cyan Polyurethane Watch

Rabu, 11 Januari 2012

Brother Bear (Two-Disc Special Edition)

  • Disney proudly presents BROTHER BEAR, an epic animated adventure full of comedy and heart. With five great new songs from Academy Award winner Phil Collins (1999 Best Original Song, "You'll Be In My Heart," from TARZAN(R)), it's "pure Disney magic from beginning to end!" raves Clay Smith of Access Hollywood. When an impulsive boy named Kenai is magically transformed into a bear, he must li
Disney proudly presents BROTHER BEAR, an epic animated adventure full of comedy and heart. With five great new songs from Academy Award winner Phil Collins (1999 Best Original Song, "You'll Be In My Heart," from TARZAN(R)), it's "pure Disney magic from beginning to end!" raves Clay Smith of Access Hollywood. When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey in! troduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths, rambunctious rams, and more! BROTHER BEAR is "a charming, enchanting story for kids of all ages!" ( Larry King, CNN)Brother Bear has a dramatic story--after he kills a bear, a young hunter named Kenai (voiced by Joaquin Phoenix, Gladiator) in prehistoric North America is turned into a bear himself and hunted by his own brother--but the animated movie's tone is more earnest and warm than tragic, focusing on the unfolding relationship between Kenai and an orphaned bear cub named Koda (voiced by Jeremy Suarez). However, it's often the comic supporting characters who prove the most popular, and a pair of moose voiced by Rick Moranis and Doug Thomas in their McKenzie brothers/Canadian dude mode (from SCTV and the movie Strange Brew) will win many fans. The songs by Phil Collins are typically negligible, but the hand-drawn ani! mation is lush (occasional flashes of computer-generated anima! tion cla sh with the movie's overall look). Kids will also enjoy the mammoths; no sabre-toothed tigers, unfortunately. --Bret Fetzer

Fotodiox Lens Mount Adapter - Canon FD, New FD, FL Lens to Canon EOS Camera Adapter, for Canon EOS 1d, 1ds, 1ds Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

  • All Metal Design
  • Built-in 1.4x Multi-Coated Focusing Correction Lens
  • Removable Glasss Element for Macro Photography
  • Smooth surface for effortless mount
  • 24 Month Manufacture Warranty
DETROIT 9000 - DVD MovieThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of The French Connection and The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from The Godfather) stars as a veteran detective on the Detroit police force, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the ! department. These guys are no Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct Friday Foster and J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent video release. --Sean AxmakerThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of The French Connection and The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from Th! e Godfather) stars as a veteran detective on the Detroit ! police f orce, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the department. These guys are no Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct Friday Foster and J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent vi! deo release. --Sean AxmakerThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of The French Connection and The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from The Godfather) stars as a veteran detective on the Detroit police force, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the department. These guys are no Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death s! pasms, and the film concludes on an unusually satisfying note ! of ambi guity and cynicism. Marks went on to direct Friday Foster and J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent video release. --Sean AxmakerThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of The French Connection and The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from The Godfather) stars as a veteran detective on the Detroit police force, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes)! , a fast-rising star in the department. These guys are no Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct Friday Foster and J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent video release. --Sean AxmakerIf you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages. Certain prime lens just can't be replaced, and you sav! e cost of purchase lenses. ­Fotodiox offers a range of adapte! r from l arge format to smaller format digital adapters. Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

Erin Brockovich

  • Widescreen
A real woman. A real story. A real triumph. Julia Roberts stars as Erin Brockovich, a feisty young mother who fought for justice any way she knew how. Desperate for a job to support herself and her three children, she convinces attorney Ed Masry (Albert Finney) to hire her, and promptly stumbles upon a monumental law case against a giant corporation. Now, Erin's determined to take on this powerful adversary even though no law firm has dared to do it before. And while Ed doesn't want anything to do with the case, Erin won't take "no" for an answer. So the two begin an incredible and sometimes hilarious fight that will bring a small town to its feet and a huge company to its knees.Much will be made of Julia Roberts's wardrobe in Erin Brockovich--a brash parade of daring hemlines and Wonderbra confidence. Roberts is unabashedly sexy in the title role of this fact-based comedy-d! rama, but she and director Steven Soderbergh are far too intelligent to rely solely on high heels and cleavage. Susannah Grant's brassy screenplay fuels this winning combination of star, director, and material, firing on all pistons with maximum efficiency. With Ed Lachman, his noted cinematographer from The Limey, Soderbergh tackles this A-list project with the fervor of an independent, combining a no-frills look with kinetic panache and the same brisk editorial style he used in the justly celebrated Out of Sight.

Broke and desperate, the twice-divorced single mom Erin bosses her way into a clerical job with attorney Ed Masry (Albert Finney), who's indebted to Erin after failing to win her traffic-injury case. Erin is soon focused on suspicious connections between a mighty power company, its abuse of toxic chromium, and the poisoned water supply of Hinkley, California, where locals have suffered a legacy of death and disease. Matching the dramatic potency! of Norma Rae and Silkwood, Erin Brockovich filte rs cold facts through warm humanity, especially in Erin's rapport with dying victims and her relationship with George (superbly played by Aaron Eckhart), a Harley-riding neighbor who offers more devotion than Erin's ever known. Surely some of these details have been embellished for dramatic effect, but the factual basis of Erin Brockovich adds a boost of satisfaction, proving that greed, neglect, and corporate arrogance are no match against a passionate crusader. (Trivia note: The real Erin Brockovich appears briefly as a diner waitress.) --Jeff Shannon

Halloween [Blu-ray]

  • The film which ushered in the modern age of horror stands well above its many sequels and clones because John Carpenter's taut direction makes it truly scary. Jamie Lee Curtis, in her debut role, plays a babysitter who must protect herself from the deadly Michael Myers, a mental institution escapee who killed his sister on Halloween fifteen years earlier. Called "the most successful independent mo
The film which ushered in the modern age of horror stands well above its many sequels and clones because John Carpenter's taut direction makes it truly scary. Jamie Lee Curtis in her debut role plays a babysitter who must protect herself from the deadly Michael Myers a mental institution escapee who killed his sister on Halloween fifteen years earlier. Called "the most successful independent motion picture of all time" HALLOWEEN is also one of most frightening films ever made.System Requirements:Run! ning Time: 92 mins.Format: DVD MOVIE Genre: HORROR Rating: R UPC: 013131542899 Manufacturer No: DV15428Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loo! mis, after John Gavin's character in Psycho. In the end! , though , Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly moun! ted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more install! ments: 1981's dismal Halloween II, which picked up the ! story th e day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert HortonNo Description Available.
Genre: Horror
Rating: NR
Release Date: 2-OCT-2007
Media Type: Blu-RayHalloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pic! tures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton Halloween is as pure and undiluted as its title. In the small! town of Haddonfield, Illinois, a teenage baby sitter tries to! survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at th! e screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton

Harold & Kumar Go to White Castle (Extreme Unrated Edition)

web log free