Bent: The Play

• Published by Applause Books 80 Pages
• The Play by Martin Sherman
• Author: Martin Sherman

Renowned British stage director Sean Mathias directs Martin Sherman's "powerful and provocative" (The New York Times) screenplay about one man's struggle to maintain his dignity while imprisoned in a Nazi concentration camp. Featuring exceptional performances by Lothaire Bluteau (Black Robe), Clive Owen (Gosford Park), Brian Webber, Ian McKellen (The Lord of the Rings: TheFellowship of the Ring) and Mick Jagger, Bent will "grab filmgoers by the heart" (Rex Reed)! Max (Owen) is a handsome young man who, after a fateful tryst with a German soldier, is forced to run for his life. Pursued and captured, Max is placed in a concentration camp where he pretends to be Jewishbecause in the eyes of the Nazis, gays are the lowest form of human being. But it takes a forbidden relationship with an openly! gay prisoner to teach Max that without the love of another, life is not worth living.Bent debuted onstage in 1979 with Ian McKellen starring in the London production and Richard Gere in its later Broadway version. The film version is adapted by the playwright, Martin Sherman, and closely follows his play's story of two gay concentration camp victims who are sent to Dachau and who fall in love, using their relationship as an emotional crutch in their efforts to rebuff the horror of the Holocaust. Max (Clive Owen), would rather wear a yellow star and proclaim himself a Jew than be lanced with the pink triangle that designates homosexuality. Horst, (Lothaire Bluteau) chastises him for his homophobia. Later the tables turn on Max, who finds--through Horst--the strength both to keep alive indefinitely and to ultimately embrace his sexual identity.

Initially set in a war-ravaged Berlin, Bent is directed by Sean Mathias, who first directed Jude Law in Indiscretions, and he has crafted a film that reminds on! e of Ian McKellen's Richard III with its spare, stylized, and stark world bombed into rubble and chic theatrical disarray. There are many poignant as well as harrowing scenes, and the result is a somber work that stands as a reminder that intolerance cannot overtake individualism and love. While Bent received an NC-17 rating for depicting Berlin's decadent, anything-goes-for-a-price nightlife, MGM opted not to edit out the tone-setting prelude and pushed to preserve the film's integrity despite a rating that is itself a kind of death for any film that bears it. --Paula NechakMartin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But ver! y little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.

House of D

• Actors: David Duchovny, Tea Leoni, Robin Williams, Anton Yelchin, Erykah Badu.
• Format: Closed-captioned, Color, Dolby, DVD, Special Edition, Subtitled, Widescreen, NTSC.
• Language: English, French. Subtitles: English, Spanish.
• Region: Region 1 (U.S. and Canada only).
• Rated PG-13. Run Time: 97 minutes.

In his directorial debut David Duchovny delivers a classic coming-of-age tale. To reconcile with his 13-year-old son and estranged wife artist Tom Warshaw (Duchovny) revisits the life changing events of his own adolescence in New York City in 1973 when his best friends were Pappass (Robin Williams) a mentally challenged janitor and Lady (Erykah Badu) a truth-dispensing detainee in the East Village's legendary Women's House of Detention. Filled with laugh-out-load moments as well as poignancy House Of D is a warmhearted and wise film.System Requirements: Running Tim! e 97 MinFormat: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 031398177654 Manufacturer No: 17765House of D is a bittersweet, moving story of an American expatriate's painful decision to come to terms with the childhood he fled in early 1970s New York City. David Duchovny wrote and directed this comedy-drama; he also stars as the adult version of the film's hero, Tom Warshaw, an illustrator who has spent most of his life in Paris and decidesâ€"on the occasion of his son's birthdayâ€"to finally reveal long-withheld facts about his past.

The bulk of the story, told in flashback, portrays 13-year-old Tom (Anton Yelchin) as a quick-witted prince of his neighborhood, a delivery boy who knows every eccentric on his bicycle route and a Catholic school kid fond of playing pranks on his clueless French teacher and soulful principal (Frank Langella). His best friend is the school's mildly retarded, 41-year-old janitor, Pappas (Robin Williams), and his advisor on matters o! f the heart is Lady (Erykah Badu), a prison inmate whom the fa! therless Tom (or Tommy, as he's called in 1973) can neither see nor touch. Tommy's vivacity is an asset at home, where his mother (Tea Leoni), a grieving widow with a mounting addiction to pills, is slipping away from her son's ability to help. Duchovny's screenplay sometimes borders on the precious: A number of scenes are enamored with their own boldness and originality, as if Duchovny has been squirreling away lots of colorfully expressive storytelling details for years, and unloaded them here. But that flaw all but disappears in the glow of House of D's emotional resonance and honesty, not to mention several exceptional performances. Among these is Zelda Williams's work as Tommy's sage-beyond-her-years girlfriend, Melissa, whose name offers a suitable excuse to work a rather lovely Allman Brothers song into the soundtrack. --Tom Keogh

Diary of a Wimpy Kid: Rodrick Rules

• Greg Heffley, the kid who made ?wimpy? cool, is back in this sidesplitting sequel based on the
• But at home, Greg is still at war with his older brother, Rodrick, so their parents have handed

Greg Heffley, the kid who made “wimpy” cool, is back in this sidesplitting sequel based on the second installment of the best-selling book series! Having rid himself of the Cheese Touch , Greg enters the next grade with his confidence and friendships intact, and an eye on the new girl in town, Holly Hills . But at home, Greg is still at war with his older brother, Rodrick, so their parents have handed down the toughest “punishment” imaginable â€" forcing the boys to spend quality time with each other. Brothers aren't supposed to get along, so it should come as no surprise that Greg and his older sibling Rodrick fight continuously. However, their mother has a different idea about what the r! elationship between two brothers should look like, and she writes a column about it for the local newspaper, so she should know. Never one to let nature take its course, Mom tries a variety of strategies to get the boys to bond--everything from the incentive-driven "mom bucks" to punishing them by leaving them home together for the weekend while the rest of the family heads to the water park. The wild party and ensuing chaos that one would expect when two boys are left home alone happens right on schedule, but so does a surprising development in the boys' relationship with one another. Greg pours his every thought about the difficulties of surviving middle school and living with brothers into his journal in this film, which is based on Jeff Kinney's book Diary of a Wimpy Kid: Rodrick Rules. While it's definitely a different experience to see the cartoon stick figures from the book morph into human forms in the live-action film, director David Bowers and actors Zachar! y Gordon, Devon Bostick, Robert Capron, and Rachael Harris do ! a good j ob of preserving the feel of the book--specifically, how each of the characters is driven by emotion and how they are often overwhelmed by their sense of mental conflict and anguish. Kids frankly state that the Diary of a Wimpy Kid films aren't as good as the bestselling books, but that doesn't mean they don't enjoy the movies or that they won't be clamoring to see them. (Ages 7 and older) --Tami Horiuchi

Hurt Locker [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Studio: Uni Dist Corp. (summit) Release Date: 01/12/2010 Run time: 131 minutes Rating: RThe making of honest action movies has become so rare that Kathryn Bigelow's magnificent The Hurt Locker was shown mostly in art cinemas rather than multiplexes. That's fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies hogging mall screens. Partly it's a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film's extraordinary tension derives from th! e precision and intelligence of Bigelow's direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment--hot streets and blank-walled buildings full of onlookers, some merely curious and some hostile, perhaps thumbing a cellphone that could become a trigger. This is exemplary moviemaking. You don't need CGI, just a human eye, and the imagination to realize that, say, the sight of dust and scale popped off a derelict car by an explosion half a block away delivers more shock value than a pixelated fireball.

The setting may be Iraq in 2004, but it could just as well be Thermopylae; The Hurt Locker is no "Iraq War movie." Bigelow and screenwriter Mark Boal--who did time as a journalist embed with an EOD unit--align themselves with neither supporters nor opponents of the U.S. involvement. There's no politics here. War is just the ! job the characters in the movie do. One in particular, the sup! remely r esourceful staff sergeant played by Jeremy Renner, is addicted to the almost nonstop adrenaline rush and the opportunity to express his esoteric, life-on-the-edge genius. The hurt locker of the title is a box he keeps under his bunk, filled with bomb parts and other signatory memorabilia of "things that could have killed me." That none of it has killed him so far is no real consolation. In this movie, you never know who's going to go and when; even high-profile talent (we won't name names here) is no guarantee. But one thing can be guaranteed, and that is that almost every sequence in the movie becomes a riveting, often fiercely enigmatic set piece. This is Kathryn Bigelow's best film since 1987's Near Dark. It could also be the best film of 2009. --Richard T. Jameson

Across the Universe (Two-Disc Special Edition)

• Condition: Used, Very Good
• Format: DVD
• Anamorphic; NTSC

Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert! , Chicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love proves a powerful uniting force, its limitations become clear as relationships are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly! choreographed dance segments, seemingly commonplace character! interac tion, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami HoriuchiAcross the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. A! s the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, Chicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love prove! s a powerful uniting force, its limitations become clear as re! lationsh ips are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly choreographed dance segments, seemingly commonplace character interaction, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami Horiuchi

Beyond Across the Universe

On Blu-ray

The Deluxe Soundtrack

Beatles audio CD

Stills from Across the Universe (click for larger image)

		!

Gone

• ISBN13: 9780061448782
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

In the blink of an eye.

Everyone disappears.

Gone.

Everyone except for the young. Teens. Middle schoolers. Toddlers. But not a single adult. No teachers, no cops, no doctors, no parents. Gone, too, are the phones, internet, and television. There is no way to get help.

Hunger threatens. Bullies rule. A sinister creature lurks. Animals are mutating. And the teens themselves are changing, developing new talentsâ€"unimaginable, dangerous, deadly powersâ€"that grow stronger by the day.

It's a terrifying new world. Sides are being chosen and war is imminent.

The first in a breathtaking saga about tee! ns battling each other and their darkest selves, gone is a page-turning thriller that will make you look at the world in a whole new way.

Happy, Texas [VHS]

• Condition: Used - Very Good

Popular stars Steve Zahn (FORCES OF NATURE, YOU'VE GOT MAIL, OUT OF SIGHT), Jeremy Northam (AN IDEAL HUSBAND, MIMIC), and William H. Macy (MYSTERY MEN, A CIVIL ACTION, FARGO) enliven a hilarious comedy where a case of mistaken identity leads to a beauty of a con game! When escaped convicts Harry Sawyer (Northam) and Wayne Wayne Wayne Jr. (Zahn) are pulled over in the town of Happy, Texas ... while driving a stolen Winnebago ... they think they are being arrested. Rather, they're immediately welcomed as the vehicle's owners: a gay couple who've come to orchestrate the "Little Miss Fresh-Squeezed Pre-Teen" beauty pageant! Not ones to let a good con pass them by, the pair don't hesitate to adopt flamboyant new personalities ... and quickly meet with outrageously unpredictable consequences! With a great cast of stars playing an unusually offbeat collection of character! s -- you'll be more than happy you picked up this laugh-out-loud comedy treat!Three prisoners on a chain gang find themselves on the loose when their prison van overturns to avoid hitting an armadillo. Two of them--Jeremy Northam (An Ideal Husband, The Winslow Boy) and Steve Zahn (Out of Sight, That Thing You Do!)--steal an RV that turns out to belong to two junior-beauty-pageant promoters on their way to organize a pageant in Happy, Texas. When Northam and Zahn find themselves stuck in Happy, their only option is to follow through with their masquerade and put on the pageant. Unfortunately, the promoters are known to be gay, which complicates matters when both men find themselves attracted to local women--Illeana Douglas (Grace of My Heart, Cape Fear) and Ally Walker (While You Were Sleeping, TV's Profiler). The cast is uniformly entertaining, but it's William H. Macy (Fargo, Pleasantville) who really st! eals the show as the town sheriff with a secret of his own. Happy, Texas was an audience favorite at the Sundance Film Festival but didn't do as well in wide release, probably because viewers expected a nonstop farce. But though the movie is a comedy, and a very funny one, its humor springs more from nuances of character than broad wackiness. The situations are a little predictable, but the performers--especially Macy--give it zest and genuine feeling. --Bret FetzerThree prisoners on a chain gang find themselves on the loose when their prison van overturns to avoid hitting an armadillo. Two of them--Jeremy Northam (An Ideal Husband, The Winslow Boy) and Steve Zahn (Out of Sight, That Thing You Do!)--steal an RV that turns out to belong to two junior-beauty-pageant promoters on their way to organize a pageant in Happy, Texas. When Northam and Zahn find themselves stuck in Happy, their only option is to follow through with their masquerade and put on the pageant. Unfortunately, the promoters are known to! be gay, which complicates matters when both men find themselves attracted to local women--Illeana Douglas (Grace of My Heart, Cape Fear) and Ally Walker (While You Were Sleeping, TV's Profiler). The cast is uniformly entertaining, but it's William H. Macy (Fargo, Pleasantville) who really steals the show as the town sheriff with a secret of his own. Happy, Texas was an audience favorite at the Sundance Film Festival but didn't do as well in wide release, probably because viewers expected a nonstop farce. But though the movie is a comedy, and a very funny one, its humor springs more from nuances of character than broad wackiness. The situations are a little predictable, but the performers--especially Macy--give it zest and genuine feeling. --Bret FetzerPopular stars Steve Zahn (FORCES OF NATURE, YOU'VE GOT MAIL, OUT OF SIGHT), Jeremy Northam (AN IDEAL HUSBAND, MIMIC), and William H. Macy (MYSTERY MEN, A CIVIL ACTION, F! ARGO) enliven a hilarious comedy where a case of mistaken iden! tity lea ds to a beauty of a con game! When escaped convicts Harry Sawyer (Northam) and Wayne Wayne Wayne Jr. (Zahn) are pulled over in the town of Happy, Texas ... while driving a stolen Winnebago ... they think they are being arrested. Rather, they're immediately welcomed as the vehicle's owners: a gay couple who've come to orchestrate the "Little Miss Fresh-Squeezed Pre-Teen" beauty pageant! Not ones to let a good con pass them by, the pair don't hesitate to adopt flamboyant new personalities ... and quickly meet with outrageously unpredictable consequences! With a great cast of stars playing an unusually offbeat collection of characters -- you'll be more than happy you picked up this laugh-out-loud comedy treat!Three prisoners on a chain gang find themselves on the loose when their prison van overturns to avoid hitting an armadillo. Two of them--Jeremy Northam (An Ideal Husband, The Winslow Boy) and Steve Zahn (Out of Sight, That Thing You Do!)--ste! al an RV that turns out to belong to two junior-beauty-pageant promoters on their way to organize a pageant in Happy, Texas. When Northam and Zahn find themselves stuck in Happy, their only option is to follow through with their masquerade and put on the pageant. Unfortunately, the promoters are known to be gay, which complicates matters when both men find themselves attracted to local women--Illeana Douglas (Grace of My Heart, Cape Fear) and Ally Walker (While You Were Sleeping, TV's Profiler). The cast is uniformly entertaining, but it's William H. Macy (Fargo, Pleasantville) who really steals the show as the town sheriff with a secret of his own. Happy, Texas was an audience favorite at the Sundance Film Festival but didn't do as well in wide release, probably because viewers expected a nonstop farce. But though the movie is a comedy, and a very funny one, its humor springs more from nuances of character than broad wackine! ss. The situations are a little predictable, but the performer! s--espec ially Macy--give it zest and genuine feeling. --Bret Fetzer

Benji: The Hunted

• Benji, the world's most popular canine actor, faces his toughest challenge in this extraordinary film. Lost at sea and washed ashore in the rugged backwoods of North America, Benji inadvertently becomes the guardian to an orphaned litter of cougar cubs. Together, they dodge untold perils from man and beast in an amazing odyssey to reach safety. BENJI, THE HUNTED has all the earmarks of a live

Directed by Academy Award winner William Friedkin, THE HUNTED follows FBI agent Abby Durrell (Nielson) and her new recruit, L.T. Bonham (Jones) - a specialist in deep-woods tracking, as they team up to track and hunt down trained assassin, Aaron Hallam (Del Toro), who made a sport out of fatally shooting deer hunters in the forests outside Portland, Oregon. Using his well-honed nature skills to locate Hallam, Bonham soon finds himself and his partner lured into a gut-wrenching game of cat and mouse. Wit! h ruthless precision and murderous skill, Hallam remains one step ahead of his pursuers as Bonham and Durrell try to outwit him in the natural and urban wildernesses before Hallem turns them into his next victims.William Friedkin's taut direction highlights The Hunted, a bloodsport thriller that works best without dialogue. It's a prime vehicle for costars Tommy Lee Jones and Benicio Del Toro, whose rugged screen personas are perfectly matched in a manhunt between a military assassin and the man who trained him to kill. Traumatized by atrocities in Kosovo four years earlier (the site of an action-packed prologue), Hallam (Del Toro) is seemingly psychotic and now killing in the forests of Oregon; Bonham (Jones) is lured out of retirement by a tenacious FBI agent (Connie Nielsen) to end Hallam's murder spree. The hackneyed plot is derivative to a fault (no surprise from the screenwriters of Collateral Damage), and the whole movie's a foregone conclusion, but Fri! edkin inspires fine work from his well-trained stars while exp! loring t he ambiguity of Hallam's character. Lushly photographed by Caleb Deschanel, The Hunted is a survivalist's dream, militarily authentic and most effective when its primal instincts are cinematically expressed. --Jeff ShannonThis book is a Super plus length novelâ€"165,000 words long

Sophia Waterhouse has always been afraid of needles and vampires so there’s no way she wants anything to do with a modern day Count Draculaâ€"even if he does come wrapped in the package of a huge Kindred warrior with blond hair and ice blue eyes. She’s only on the Kindred Mothership to participate in her sister Liv’s wedding and that’s all.

Sylvan is a Tranq Kindred who has made a sacred vow never to call a bride. After a devastating rejection on his home planet, his heart is a block of ice no one can meltâ€"or so he thinks until he meets Sophia.

When their ship is forced down in the middle of a rugged mountain range Sophia and Sylvan are stran! ded. Running for their lives they have only each other to depend on. Will they give in to the intense attraction between them or will the evil hunting Sophia take its toll? You’ll have to read Brides of the Kindred Book 2â€"Hunted to find out.

More about the Brides of the Kindred series
A race of Genetic Traders from beyond the stars
Three very different types of men
All looking for one thing…their brides

Beast Kindredâ€"Savage in battle these dark, brooding warriors from Rageron bring their passion and intensity to the bedroom. They possess a very special endowment that ensures every sexual experience is a tantric one.

Blood Kindredâ€"Cold as ice to their enemies, these tall, blond warriors from Tranq Prime warm up when they find the right woman. But be careful…they bite.

Twin Kindredâ€"Muscular and rugged, these warriors from Twin Moons always come in pairs and cannot be separated. They experience physical p! ain when parted from each other…or the one woman they both c! hoose to love.

And then there is the enemy…

The Scourgeâ€"A genetic trade gone wrong, these menacing outsiders have twisted desires and sexual needs fierce enough to frighten away even the most adventurous. Their need to dominate and possess their women completely has led to a strange prophesy that they must fulfill…or die trying.

This book is a Super plus length novelâ€"165,000 words long

Sophia Waterhouse has always been afraid of needles and vampires so there’s no way she wants anything to do with a modern day Count Draculaâ€"even if he does come wrapped in the package of a huge Kindred warrior with blond hair and ice blue eyes. She’s only on the Kindred Mothership to participate in her sister Liv’s wedding and that’s all.

Sylvan is a Tranq Kindred who has made a sacred vow never to call a bride. After a devastating rejection on his home planet, his heart is a block of ice no one can meltâ€"or so he thinks until he meets! Sophia.

When their ship is forced down in the middle of a rugged mountain range Sophia and Sylvan are stranded. Running for their lives they have only each other to depend on. Will they give in to the intense attraction between them or will the evil hunting Sophia take its toll? You’ll have to read Brides of the Kindred Book 2â€"Hunted to find out.

More about the Brides of the Kindred series
A race of Genetic Traders from beyond the stars
Three very different types of men
All looking for one thing…their brides

Beast Kindredâ€"Savage in battle these dark, brooding warriors from Rageron bring their passion and intensity to the bedroom. They possess a very special endowment that ensures every sexual experience is a tantric one.

Blood Kindredâ€"Cold as ice to their enemies, these tall, blond warriors from Tranq Prime warm up when they find the right woman. But be careful…they bite.

Twin Kindredâ€"Muscular and rugged, these warr! iors from Twin Moons always come in pairs and cannot be separa! ted. The y experience physical pain when parted from each other…or the one woman they both choose to love.

And then there is the enemy…

The Scourgeâ€"A genetic trade gone wrong, these menacing outsiders have twisted desires and sexual needs fierce enough to frighten away even the most adventurous. Their need to dominate and possess their women completely has led to a strange prophesy that they must fulfill…or die trying.

What if the hottest guy in the world was hiding a nameless evil, and all he wanted was you?

At the start of this heart-pounding new installment of the bestselling House of Night series, Zoey’s friends have her back again and Stevie Rae and the red fledglings aren’t Neferet’s secrets any longer.  But an unexpected danger has emerged. Neferet guards her powerful new consort, Kalona, and no one at the House of Night seems to understand the threat he poses.  Kalona looks gorgeous, and he has the House of Night u! nder his spell. A past life holds the key to breaking his rapidly spreading influence, but what if this past life shows Zoey secrets she doesn’t want to hear and truths she can’t face?

On the run and holed up in Tulsa’s Prohibition-era tunnels, Zoey and her gang must discover a way to deal with something that might bring them all down.  Meanwhile, Zoey has a few other little problems.  The red fledglings have cleaned up well â€" they’ve even managed to make the dark, creepy tunnels feel more like home â€" but are they really as friendly as they seem?  On the boyfriend front, Zoey has a chance to make things right with super-hot ex-, Erik, but she can’t stop thinking about Stark, the archer who died in her arms after one unforgettable night, and she is driven to try to save him from Neferet’s sinister influence at all costs.  Will anyone believe the power evil has to hide among us?

Dare to enter the House of Night: WWW.HOUSEOFNIGHTSERIES.COM

Book Description
What if the hottest guy ! in the w orld was hiding a nameless evil and all he wanted was you?

At the start of this heart-pounding new installment of the bestselling House of Night series, Zoey's friends have her back again and Stevie Rae and the red fledglings aren't Neferet's secrets any longer.  But an unexpected danger has emerged. Neferet guards her powerful new consort, Kalona, and no one at the House of Night seems to understand the threat he poses.  Kalona looks gorgeous, and he has the House of Night under his spell. A past life holds the key to breaking his rapidly spreading influence, but what if this past life shows Zoey secrets she doesn't want to hear and truths she can't face?

On the run and holed up in Tulsa's Prohibition-era tunnels, Zoey and her gang must discover a way to deal with something that might bring them all down.  Meanwhile, Zoey has a few other little problems.  The red fledglings have cleaned up well--they've even managed to make the dark, creepy tunnels feel more! like home--but are they really as friendly as they seem?  On the boyfriend front, Zoey has a chance to make things right with super-hot ex-, Eric, but she can't stop thinking about Stark, the archer who died in her arms after one unforgettable night, and she is driven to try to save him from Neferet's sinister influence at all costs.  Will anyone believe the power evil has to hide among us?

An Interview with P.C. Cast

Amazon.com: Why vampyres? What was intriguing to you about them? (Also, why "y"?)

P.C. Cast: Actually, the idea for the series originated with my fabulous agent, Meredith Bernstein. We were at RWA [Romance Writers of America] Nationals in Reno several years ago and Meredith said she had an idea for a series she'd like to see me write. Then she said the three magic words: vampire finishing school. I instantly thought of YA because I'd been reading the Hawksong books by Amelia Atw! ater-Rhodes--so my head was already in YA. Also, I've been tea! ching hi gh school English since 1993 (I'm from a family of teachers) so I definitely knew my audience. Basically, it sounded like fun to write, so I jumped in even though I'd only written fantasy and paranormal romance up until then.

Oh, and the spelling is just my choice 'cause I like the way it looks!

Amazon.com: I don't want to draw too many comparisons between your series and Twilight, because they are completely different types of stories. However, I am curious if the popularity of that series has changed the way you see your genre, or do you even see it being the same genre?

PC: I see my genre as YA, and to me that encompasses everyone from Rowling to Laurie Halse Anderson to Jan! ice Erlbaum. So, yes, Twilight fits in the same genre. And while I enjoy Ms. Meyer's books very much, I think the genre has been growing and changing and gaining popularity steadily over the past decade--mostly thanks to Ms. Rowling! As a high school English teacher I certainly noticed the increase in sophistication and popularity of the genre some time ago. Today's YA has an incredible range and depth, and it deals with real coming of age issues in varied and interesting ways. I'm proud to be a member of the ranks of YA authors!

Amazon.com: Can you talk a little bit about the role that religion plays in the novels? The whole series revolves around the worship of Nyx, the Goddess of Night, and Hunted really digs into questions of faith and free will (often related to what guy Zoey will be drawn to next...very clever to make that her weakness!). At various points in the series you also have People of Faith, Catholic nuns, a! nd Cherokee legend. How do you see all these elements working ! together ?

PC: Very clever of you to recognize the ramifications of Zoey's weakness!

It's easy for me to weave the different religious elements of the world together because it's not really "religion" I'm dealing with when I create the conflicts and faith foundations in the House of Night. Instead I see it as a way to illuminate coming of age issues, which often deal with conformity and obsession and trying to learn boundaries. I chose to give my heroine a belief system in which to live that is matriarchal because my purpose is to empower young women, and by allowing Zoey to join a world where women are valued as leaders and really have no glass ceiling, except the ones they create for themselves, as exemplified by Neferet, I have a springboard for a lot of girl power.

Amazon.com: What were some of your influences for the House of Night school?

PC: South Intermediate High School in Broken Arrow! , Oklahoma! I just looked around me and wrote what I saw. I also write what I wish I could see, as in the amazing HoN facility and their very cool classes. I'd love to teach a Vampyre Sociology class!

Amazon.com: How has Kristin being in school affected the series as it's progressed? The scenes with friends hanging out and geeking out on movies in the dorm seem pretty familiar...

PC: When the series started Kristin was nineteen and was still living at home her first semester in college. And then when she did move out it certainly wasn't into a dorm that looked as cool as the House of Night dorms! But she does DEFINITELY geek out with her friends. (She's going to kill me for that…)

Amazon.com: When did the two of you decide to write a book together? How does your writing process work?

PC: I brought Kristin in while I was writing the first three chapters of Marked. I kept stumbling over silly little things, like! specifi c slang that I thought I knew, but found out once I started writing about teenagers that MY deeply buried inner teen from the 70's kept trying to resurface and butt in with her slang! Kristin keeps me straight about that. She also says she keeps Zoey from "sounding like a 40-something disgruntled school teacher." Sigh.

We're on book six of the series, and we have the process down. We do some brainstorming, then I write the first draft, often asking Kristin questions right in the manuscript or leaving blanks for her to fill in. Then I send the entire thing to her, and she goes through it, answering questions, filling in blanks, and asking me questions/making comments of her own. She sends it back to me and I go through it again. Then it's ready to go to St. Martin's and our lovely editor, Jennifer Weis. It sounds like a tedious process, but it's really very freeing for me. I can write whatever and know Kristin has my back.

Amazon.com: Zoey! has a few mother-daughter-like relationships--with her mom, her grandma, Neferet, Nyx. How much does your mother-daughter relationship inform your writing? Is it ever awkward?

PC: Hmm...that's a good question. Kristin and I have a unique writing relationship. Actually, I probably wouldn't even consider writing with anyone else--it's unusually easy with my daughter (perhaps because I can beat her?). She and I have always been close, and we have a very honest relationship. Talking with each other has never been a problem, so we're used to communicating. That helps a lot in a co-author situation.

Regarding the mother-daughter relationships in the book: clearly Zoey's relationship with her own mom is nothing like Kristin and mine. Sadly, both of us have met many Linda Heffers here in Oklahoma, which is why she is so easy--and disturbing--for us to write. When I write Nyx's words I often think about how I feel about Kristin, and then try to ! expand that to how this goddess would view the vampyres, espec! ially Zo ey, as her children.

We get the awkward question often because of the sexual tension in the books. Kristin and I do discuss the temperature of the books and the specific situations a lot. It doesn't feel awkward between us because we're used to communicating, and because we don't just stick sex in our series to be gratuitous. The sexual issues are there because they're realistic to teenagers. Yes, Zoey has several boyfriends--often at the same time. But in six books she has had sex once, and that was because she was manipulated and used by a charismatic adult. It wasn't awkward writing those parts with my daughter--we believe in the reality of the books and the points we make about mistakes and consequences.

Amazon.com: Each of the books sort of has its own personality. Chosen, for example, was more focused on the friends and the guys, and Untamed was much more deeply focused on folklore and goddess rituals. Do you thi! nk that's influenced by each of your interests, with Kristin having more influence on one book and P.C. showing up more in another? Or is that just the natural arc of the story?

PC: I think the shifting emphasis is because of the natural arc of the story. Think about your own life. Doesn't your focus shift from time to time? I know mine does. Actually, sometimes it feels like events happen in waves: lots of guy, no guys, friend stres, no friend stress, crazy stuff at school, kinda calm school, etc. So I guess fiction is just mimicking the patterns I see in life.

Amazon.com: Even though it has a satisfying ending (no spoilers!) Hunted certainly doesn't seem like the end of Zoey's story. What's next?

PC: Zoey has to save the world! And it's definitely a big job. Seriously, now that the dark influences that have been lurking on the periphery of Zoey's world have been brought out into th! e open, it's time to deal with them. Of course that's a lot ha! rder tha n "Okay, Z, kick their butts and save the world now!" sounds. Especially as there are many layers to the House of Night world and often good appears bad, and bad seems terribly attractive.

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What if the hottest guy in the world was hiding a nameless evil, and all he wanted was you?

At the start of this heart-pounding new installment of the bestselling House of Night series, Zoey’s friends have her back again and Stevie Rae and the red fledglings aren’t Neferet’s secrets any longer.  But an unexpected danger has emerged. Neferet guards her powerful new consort, Kalona, and no one at the House of Night seems to understand the threat he poses.  Kalona looks gorgeous, and he has the House of Night under his spell. A past life holds the key to breaking his rapidly spreading influence, but what if this past life shows Zoey secrets she doesn’t want to hear and truths she can’t face?

On the run and holed up in Tulsa’s Prohibition-era tunnels, Zoey and her gang must discover a way to deal with something that might bring them all down.  Meanwhile, Zoey has a few other little problems.  The red fledglings have cleaned up well â€" they’ve even managed to make the dark, creepy tunnels feel more like home â€" but are they really as friendly as they seem?  On the boyfriend front, Zoey has a chance to make things right with super-hot ex-, Erik, but she can’t stop thinking about Stark, the archer who died in her arms after one unforgettable night, and she is driven to try to save him from Neferet’s sinister influence at all costs.  Will anyone believe the power evil has to hide among us?

Dare to enter the House of Night: WWW.HOUSEOFNIGHTSERIES.COM

Benji, the world's most popular canine actor, faces his toughest challenge in this extraordinary film. Lost at sea and washed ashore in the rugged backwoods of North America! , Benji inadvertently becomes the guardian to an orphaned litt! er of co ugar cubs. Together, they dodge untold perils from man and beast in an amazing odyssey to reach safety. BENJI, THE HUNTED has all the earmarks of a live action Disney classic: breathtaking scenery, an exhilarating story, and an endearing hero you and your family will never forget.

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