Sabtu, 19 November 2011

August Rush

  • There?s music in the wind and sky. Can you hear it? And there?s hope. Can you feel it? The boy called August Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find ? somehow, someway ? the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him.Experience the magic of this rhapsodic epic of the
AUGUST follows Tom Sterling (Josh Hartnett) as an aggressive, young dot-com entrepreneur who fights to keep his start-up company afloat. Tom finds himself on a personal and professional downward spiral as he struggles to reunite with girlfriend Sarrah (Naomie Harris), attempts to regain control of his company from his apathetic investor Ogilvie (David Bowie), and must deal with age-old family wounds with his father, David (Rip Torn) and his brother Joshua (Adam Scott). The film also stars Emmanuelle! Chriqui as Morela and Andre Royo as Dylan.The specter of September 11th looms over August--there are numerous indications that it’s set in 2001, and the title alone is an ominous indication of the imminence of that awful day--but watching this 2008 offering, one gets the feeling that even if Tom Sterling knew 9/11 was coming, he wouldn’t change a thing. As written by Howard A. Rodman, directed by Austin Chick, and portrayed by John Hartnett, Tom is almost completely unlikable. A dot-com entrepreneur in those heady days before the techno bubble burst and internet companies like his Land Shark went directly south, Tom’s hipper than his neck tattoo, disdainful of his competition, borderline abusive to his younger, meeker brother (the technical brains behind the company they founded together), hostile to his parents, and a jerk to his former girlfriend, the one person he actually seems to care about. He’s also a master at talking loud and saying absolutely nothi! ng. One of the filmmakers’ conceits is that we’re never to! ld exact ly what it is that Land Shark does; Tom mouths some nonsense about providing "bleeding-edge, mission-critical, cross-platform, robust, scale-able architectures," but the company’s principal function, as his dad (Rip Torn) puts it, seems to be to provide office space for his young employees to eat Oreos and play computer solitaire, and when Land Shark meets the fate of others of its ilk, it’s mighty hard to care. No flies on Hartnett--the guy is a star, and rarely less than watchable. But August is a cold film, in both look and feel, and even a brief but memorable scene near the end with David Bowie as the one character who seems able to talk straight won’t keep you from wanting to take a shower when it’s all over. --Sam GrahamOriginally published in 1983, this bestseller is a compelling portrait of a young woman's experience in psychotherapy.There’s music in the wind and sky. Can you hear it? And there’s hope. Can you feel it? The boy called August ! Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find â€" somehow, someway â€" the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him. Experience the magic of this rhapsodic epic of the heart starring Freddie Highmore (as August), Keri Russell, Jonathan Rhys Meyers, Terrence Howard and Robin Williams. "I believe in music the way some people believe in fairy tales," August says. Open your heart and listen. You’ll believe, too.Music has long been considered a universal language with the power to bring people together, but can the simple act of playing music possibly unite a child with a mother and father who live in two different cities and don't even know of the child's existence? Having shared one extraordinary night, classical cellist Lyla Novacek (Keri Russell) and Irish singer and songwriter Louis Connelly (Jonathan Rhys Meyers) were a union meant to be that w! as torn apart by circumstances and a protective father (Willia! m Sadler ). After eleven years, both Lyla and Louis have given up performing only to find that they are unhappy and searching for a sense of fulfillment that will ultimately lead both artists back to music and performing. Evan (Freddie Highmore) is an 11-year old orphan who's grown up hearing music in everything around him and is convinced that his real parents want him and will find him with the help of music. Driven by his innate musical genius and a powerful compulsion to perform before the world, Evan runs away from the orphanage and is initially taken in by a street man known as Wizard (Robin Williams) who encourages his musical talent and renames him August Rush and, later, by a local priest who arranges for August to receive a Julliard education. August is a child prodigy who excels beyond even the wildest expectations and earns the opportunity of a lifetime--a chance to perform in front of an enormous audience in New York's Central Park. The question is; can his performa! nce possibly reach the audience August really craves? While elements of this film are completely unbelievable (take August's instant prowess on the guitar or his immediate and sophisticated grasp of musical notation and musical theory), the message of the universality of music and the notion that "the music is all around us, all you have to do is listen" is both compelling and powerful. --Tami Horiuchi

Sky Fighters (2005) (Region 1) (US Import)

Fujitsu fi-6130 Duplex Scanner (PA03540-B055)

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DUPLEX - DVD MovieAnyone who's lived in an apartment will understand the mounting frustration of Ben Stiller and Drew Barrymore as they grapple with the upstairs neighbor of their worst nightmares in Duplex, directed by Danny DeVito. Stiller and Barrymore play a young couple who think they've found the home of their dreams when they buy an astonishingly spacious Brooklyn duplex. Unfortunately, the second floor comes with a tenant, a seemingly sweet little old lady (Eileen Essell). Her petty demands and manipulative ways drive Stiller and Barrymore to desperate attempts to oust her--and when she breezily resists their worst efforts, the haples! s pair begin to consider more serious (and final) measures. Duplex might be called a comedy of anxiety; it constantly pricks at your expectations of disaster, sending you into a nervous state that demands laughter as a release. Also featuring Wallace Shawn, Harvey Fierstein, and Swoosie Kurtz. --Bret FetzerHollywood favorites Ben Stiller (Little Fockers) and Drew Barrymore (Going the Distance) lead a star-studded cast in this darkly hilarious comedy where one wrong move turns out to be a monumental mistake! Young and vibrant New Yorkers Alex (Stiller) and Nancy (Barrymore) have just found the perfect place to settle down and share a bright future. But their new home comes with a permanent fixture they didnt expectan obnoxious elderly tenant who wont move out and refuses to die! Pushed to the edge of insanity as their dream home turns into a nightmare, its only a matter of time before Alex and Nancy begin to entertain some truly sini! ster solutions to the problem! Directed by Danny DeVito! , Dup lex is another laugh-packed crowd-pleaser you dont want to miss!Anyone who's lived in an apartment will understand the mounting frustration of Ben Stiller and Drew Barrymore as they grapple with the upstairs neighbor of their worst nightmares in Duplex, directed by Danny DeVito. Stiller and Barrymore play a young couple who think they've found the home of their dreams when they buy an astonishingly spacious Brooklyn duplex. Unfortunately, the second floor comes with a tenant, a seemingly sweet little old lady (Eileen Essell). Her petty demands and manipulative ways drive Stiller and Barrymore to desperate attempts to oust her--and when she breezily resists their worst efforts, the hapless pair begin to consider more serious (and final) measures. Duplex might be called a comedy of anxiety; it constantly pricks at your expectations of disaster, sending you into a nervous state that demands laughter as a release. Also featuring Wallace Shawn, Harvey Fierstein,! and Swoosie Kurtz. --Bret FetzerScan 18 double-sided pages per minute Advanced features for the ultimate ease of use, Auto paper size detection Auto de-skew Auto blank page removal Instantly create searchable PDF files Scan directly to Microsoft Office Applications Quickly organize business card information Increase productivity with enhanced functionality Simple installation and operation in a compact design Advance Exchange service program maximizes uptime Scanner Type: ADF (Automatic Document Feeder), Duplex color scanning Output: Color/B&W/Automatic color and Bi-tonal detection Image Sensor: 2x Color CCD (charged coupled device) Optical Resolution: 600 dpi Scanning Speed (A4): Normal mode: Color 150dpi, B&W 300dpi - Duplex 18 pages per minute/36 images per minute Better mode: Color 200dpi, B&W 400dpi - Duplex 12 pages per minute/24 images per minute Best mode: Color 300dpi, B&W 600dpi - Duplex 6 pages per minute/12 images per minute Excellent mode: Color 600dpi,! B&W 1,200dpi - Duplex 0.6 pages per minute/1.2 images per min! ute Scan ning Range: A4, A5, A6, B5, B6, Business card, Letter, Legal and Custom sizes (can be set for Upto 5 different paper types) / Automatically recognizes paper type by paper length Use of Carrier sheet permits the scanning of A3, B4, double letter and photographs as well as those listed above Paper Weight (Thickness): 14 to 34 lbs / 52 to 127 g/m2 Hopper Capacity: 50 Sheets (20lbs) Interface: USB 2.0 (USB 1.1 Compatible) Operating System: Windows 2000 Pro (SP4)/ XP (SP2)/ VISTA (32-bit) Power Requirement: 100 to 240 VAC, 50 to 60 Hz Power Consumption: Operating- 28W or less; Standby- 6W or less; Sleep- 1W Dimensions (WxDxH): 11.2 x 6.2 x 6.2 inch / 284 x 157 x 158 mm Weight: 5.9 lbs.

Biography: Amelia Earhart - Queen of the Air

  • She was an uncommon heroine, a legendary aviator, and the focus of one of the greatest mysteries of all time. A daredevil of unimaginable proportions, Amelia Earhart was destined to make her mark on history. Even as she was wowing the world by annihilating existing aviation records, her unconventional short hair, pants, and leather jacket had already made her an undisputed icon. Her mysterious dis
Two-time Academy Award® Winner Hilary Swank delivers an unforgettable performance as Amelia Earhart, the legendary American aviatrix who boldly flew into the annals of history. Richard Gere co-stars as her charismatic business partner and adoring husband George Putnam. Bound by ambition and love, their enduring marriage could not be broken by Amelia's determination to fly -- nor her passionate affair with Gene Vidal (Ewan McGregor). Equal parts gripping drama, stirring romance and epic adventure,! Amelia will take your breath away and send your spirit soaring!
  • Audio: English: 5.1 Dolby Digital
  • Language: Dubbed: English / Subtitled: English, French & Spanish
  • Theatrical Aspect Ratio: Widescreen: 2.35:1
With her lanky Middle-America looks and her toothy grin, Hilary Swank is a natural fit for the adventurous figure of Amelia Earhart, the world's most famous aviatrix. Amelia ticks through the major achievements of Earhart's career: her 1928 flight across the Atlantic (as a passenger, not a pilot), which made her the first airborne woman to make the trip; more triumphantly, her 1932 solo transatlantic journey; her marriage to publisher George Putnam; and of course the mysterious 1937 around-the-world flight that ended in her vanishing, with engineer Fred Noonan, somewhere near Howland Island in the mid Pacific. With Swank in her pilot togs and director Mira Nair at the helm, the project would seem to have ! the ingredients for success, but the resulting film is a truly! dull, a lmost featureless affair. The big flights themselves have innate appeal, but otherwise the emphasis is on Amelia's love life, shared between Putnam (Richard Gere) and the dashing Gene Vidal (Ewan McGregor)--who, the film clumsily keeps reminding us, is the father of Gore Vidal, seen here as a precocious tyke. A smidgen of Amelia's proto-feminist attitude is included, including her intriguing take on her marriage agreement, but nothing actually cuts deep or generates interest. After a while Amelia becomes a series of events, told with less excitement than the average documentary on the same subject, albeit with prettier photography. --Robert HortonWhen Amelia's mom givs her a journal for her ninth birthday, Amelia has a place to share her truest feelings at last!Two-time Academy Award® Winner Hilary Swank delivers an unforgettable performance as Amelia Earhart, the legendary American aviatrix who boldly flew into the annals of history. Richard Gere co-stars! as her charismatic business partner and adoring husband George Putnam. Bound by ambition and love, their enduring marriage could not be broken by Amelia's determination to fly -- nor her passionate affair with Gene Vidal (Ewan McGregor). Equal parts gripping drama, stirring romance and epic adventure, Amelia will take your breath away and send your spirit soaring!
  • Audio: English: 5.1 DTS HD Master Audio
  • Language: Dubbed: English / Subtitled: English, French & Spanish
  • Theatrical Aspect Ratio: Widescreen: 2.35:1
With her lanky Middle-America looks and her toothy grin, Hilary Swank is a natural fit for the adventurous figure of Amelia Earhart, the world's most famous aviatrix. Amelia ticks through the major achievements of Earhart's career: her 1928 flight across the Atlantic (as a passenger, not a pilot), which made her the first! airborne woman to make the trip; more triumphantly, her 1932 ! solo tra nsatlantic journey; her marriage to publisher George Putnam; and of course the mysterious 1937 around-the-world flight that ended in her vanishing, with engineer Fred Noonan, somewhere near Howland Island in the mid Pacific. With Swank in her pilot togs and director Mira Nair at the helm, the project would seem to have the ingredients for success, but the resulting film is a truly dull, almost featureless affair. The big flights themselves have innate appeal, but otherwise the emphasis is on Amelia's love life, shared between Putnam (Richard Gere) and the dashing Gene Vidal (Ewan McGregor)--who, the film clumsily keeps reminding us, is the father of Gore Vidal, seen here as a precocious tyke. A smidgen of Amelia's proto-feminist attitude is included, including her intriguing take on her marriage agreement, but nothing actually cuts deep or generates interest. After a while Amelia becomes a series of events, told with less excitement than the average documentary on t! he same subject, albeit with prettier photography. --Robert HortonThe book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Domestic fiction; Didactic fiction; England - Social life and customs - 18th century; Married women - England; Fiction / General; Fiction / Literary; Fiction / General; Fiction / Classics; Fiction / Sagas; Fiction / Literary; Fiction / MysteryShe was an uncommon heroine, a legendary aviator, and the focus of one of the greatest mysteries of all time. A daredevil of unimaginable proportions, Amelia Earhart was destined to make her mark on history. Even as she was wowing the world by annihilating existing aviation records, her unconventional short hair, pants, and leather jacket had already made her an undisputed icon. Her mysterious disappearance while attempting to fly around the world has long been at the! center of great debate. What really happened to one of the wo! rld s mo st promising aviators? Drawing on extensive archival footage, interviews, and newly discovered evidence, BIOTM examines Earhart s dramatic story, providing an unforgettable look at the life and legend of the courageous and groundbreaking aviator

Harvard Beats Yale 29-29

  • Harvard Stadium November 23, 1968. With Vietnam raging, Nixon in theWhite House, and issues from civil rights to women's lib dividing thecountry, Harvard and Yale, both teams undefeated for the first time since1909, meet for the annual climax of the Ivy League football season. On theblue-blooded Yale campus, gridiron fever has made local celebrities out of aYale team led by quarterback Brian Dowli
Based on the critically acclaimed documentary, Harvard Beats Yale 29-29 tells the story of the most famous college football game in history

Harvard Stadium, November 23, 1968: For the first time since 1909, the football teams of Harvard and Yale are undefeated as they meet for their final game. Yale, led by captain and quarterback Brian Dowling (later satirized as B.D. in classmate Garry TrudeauÂ’s Doonesbury comic strip) is heavily favored. The underdog team from Harvard includes! lineman Tommy Lee JonesÂâ€"Al GoreÂ’s roommate and future Hollywood star. What follows is widely regarded as among the best games of all time.

First came Rafferty’s documentary of the game, which Newsday called “A nail-biting sports story,” and Time Out New York deemed “close to perfect.” Now, in this compelling and unique new book, Rafferty intercuts photos of the game and Trudeau’s original drawings with the hilarious and suspenseful recollections of the fifty players to create a stunning account of one of the most famous games of all time.

Praise for the documentary Harvard Beats Yale 29-29

“Preposterously entertaining . . . A narrative that pulses with the artful, exciting beats of a thriller.” Ââ€"The New York Times

“Hugely enjoyable . . . a fascinating piece of social history.” Ââ€"NPRÂ’s Fresh AirAn incredible true story that unfolds like a ripping good yarn... W! ith an uproarious, impossible Hollywood ending (Andrew O Hehir! , Salon. com), Harvard Beats Yale 29-29 is filmmaker Kevin Rafferty s (The Atomic Cafe) acclaimed documentary depicting one of the most legendary games in the history of sports. Harvard Stadium November 23, 1968. With Vietnam raging, Nixon in the White House, and issues from civil rights to women's lib dividing the country, Harvard and Yale, both teams undefeated for the first time since 1909, meet for the annual climax of the Ivy League football season. On the blue-blooded Yale campus, gridiron fever has made local celebrities out of a Yale team led by quarterback Brian Dowling, who hadn t lost a game that he finished since the 7th grade, and who was the role model for Doonesbury s B.D. At civil unrest scarred Harvard, a melting pot team of working class players, antiwar activists, and a decorated Vietnam vet set aside their differences for the Big Game. Together, Yale and Harvard stage an unforgettable football contest that baffled even their own coaches. Using vintage game footage! and bracingly honest contemporary interviews with the players from both sides, including Harvard lineman and future Oscar® winner Tommy Lee Jones (No Country for Old Men), Rafferty crafts an alternately suspenseful, hilarious, and poignant portrait of American lives, American sports, and American ideals both tested on the playing field and transformed by turbulent times.

Special Features:
- Bonus Interviews (73 min.) Additional interview excerpts not included in the film, the players provide a deeper look at the season, the game, and its aftermath.
- Theatrical Trailer
!

Happiness Runs Early Elementary/Level 1 Piano Duet

  • Published by Faber Piano Adventures 6 Pages
  • Piano Level Early Elementary/Level 1
  • Arranger: Nancy Faber
A coming-of-age tale, that finds a young man, Victor (Mark L. Young), growing up on a Utopian commune faced with the challenge to either submit to his community's ideals or to escape. Victor's mother (Andie MacDowell) funds the collective where guru Insley (Rutger Hauer) lectures a lifestyle of free love and out-of-body meditations. Spurred by the sudden reappearance of his childhood love Becky (Hanna Hall), Victor creates a desperate plot to save them both and escape the polygamous cult. One part WOODSTOCK, one part LORD OF THE FLIES, director Adam Sherman's semi-autobiographical film, HAPPINESS RUNS, is a cautionary tale about freeing yourself of social constrictions.
It’s 2008. Jim Axelrodâ€"once among the most watched correspondents on network news and the! first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue, Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the television news industry, excruciatingly painful shin splints, and the w! orst-timed kidney stone possible. Looming over it all is the s! hadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your own skin.
It’s 2008. Jim Axelrodâ€"once among the most watched correspondents on network news and the first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue! , Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the television news industry, excruciatingly painful shin splints, and the worst-timed kidney stone possible. Looming over it all is the shadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your ! own skin.
It’s 2008. Jim Axe! lrodâ€"o nce among the most watched correspondents on network news and the first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue, Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the televisi! on news industry, excruciatingly painful shin splints, and the worst-timed kidney stone possible. Looming over it all is the shadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your own skin.


Reproduction poster of Happiness Runs printed on heavy card stock.
Students may just start singing this engaging melody and cheerful lyric. Legato and staccato touches are explored as both parts share melody and harmony.

Songs: Happiness Runs

The Dreamer Volume 2

Reversible Drape Fur Vest - CHOCOLATE (XS)

The Unknown Civil War Series: Gettysburg

  • GETTYSBURG (DVD MOVIE)
Depicts the famous Civil War battle which was the turning point of the war.
Genre: Feature Film-Action/Adventure
Rating: PG
Release Date: 7-JUN-2005
Media Type: DVDThree days in the summer of 1863, at a place called Gettysburg. Although it received a theatrical release, this four-hour depiction of the bloody Civil War battle was shot as a made-for-television film. But no taint of cheapness or shortcuts should stick to this magnificent picture (well, except maybe for those phony-looking mustaches). Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importance only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of li! fe, death, and unexpected heroism. If the film has a problem, it's that it climaxes too early: the first long segment, detailing the struggle of a "civilian soldier," Union Colonel Joshua Lawrence Chamberlain (Jeff Daniels), to hold his ground against long odds, is an enthralling piece of moviemaking. Daniels, in a heartbreaking performance, does his best film work. Other cast members include Tom Berenger, Sam Elliott, and Martin Sheen as Robert E. Lee. Richard Jordan, in his final role, gives a powerhouse performance as Confederate general Lewis A. Armistead. Oh, and you can also try to spot Ted Turner, whose company produced the film, as a Confederate soldier. Writer-director Ronald F. Maxwell seems inspired by the gravity of the battle; long as it is, every moment of Gettysburg is informed by a nobility of purpose. --Robert HortonMarking the 150th-anniversary commemoration of the Civil War, Ronald F. Maxwell’s acclaimed film now arrives in a Director’s ! Cut featuring 17 minutes of compelling additional footage. Fil! med at a ctual battle locations and full of authentic details, this rousing and soulful movie plunges you into the heat of the bloodiest battle fought on American soil. History comes alive with intense and spirited battles as well as the dilemmas, motivations and fears of the leaders. Tom Berenger, Jeff Daniels, Martin Sheen and Stephen Lang star in this magnificent epic based on Michael Shaara's Pulitzer Prize-winning The Killer Angels.Three days in the summer of 1863, at a place called Gettysburg. Although it received a theatrical release, this four-hour depiction of the bloody Civil War battle was shot as a made-for-television film. But no taint of cheapness or shortcuts should stick to this magnificent picture (well, except maybe for those phony-looking mustaches). Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importan! ce only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of life, death, and unexpected heroism. If the film has a problem, it's that it climaxes too early: the first long segment, detailing the struggle of a "civilian soldier," Union Colonel Joshua Lawrence Chamberlain (Jeff Daniels), to hold his ground against long odds, is an enthralling piece of moviemaking. Daniels, in a heartbreaking performance, does his best film work. Other cast members include Tom Berenger, Sam Elliott, and Martin Sheen as Robert E. Lee. Richard Jordan, in his final role, gives a powerhouse performance as Confederate general Lewis A. Armistead. Oh, and you can also try to spot Ted Turner, whose company produced the film, as a Confederate soldier. Writer-director Ronald F. Maxwell seems inspired by the gravity of the battle; long as it is, every moment of Gettysburg is informed by a nobility of purpose. --Robert HortonA masterful, single-volume history of the Civil War's gre! atest ca mpaign.

 

Drawing on original source material, from soldiers' letters to official military records of the war, Stephen W. Sears's Gettysburg is a remarkable and dramatic account of the legendary campaign. He takes particular care in his study of the battle's leaders and offers detailed analyses of their strategies and tactics, depicting both General Meade's heroic performance in his first week of army command and General Lee's role in the agonizing failure of the Confederate army. With characteristic style and insight, Sears brings the epic tale of the battle in Pennsylvania vividly to life.Key battles of America's Civil War thunder across the screen in two richly scaled, rigorously authentic, powerfully compelling epics based on acclaimed historical novels by Michael Shaara. The tide of the war changes during three fierce days of combat at Gettysburg [Disc 1], the gripping saga of the tactics, command errors and sacrifices behind the bloodiest bat! tle ever fought on U.S. soil. Gods and Generals [Disc 2] reveals the spirited allegiances and fierce combat of earlier Civil War struggles, framing its tale with the fateful clashes at Bull Run, Fredericksburg and Chancellorsville. These sprawling films remind us of the people, passions and heroism that fanned the flames of a country at war with itself.Studio: A&e Home Video Release Date: 09/20/2011 Run time: 94 minutesThe epic battle of Gettysburg, fought over a three-day period at the beginning of July 1863, was bloody, brutal, and bitter--making it ideally suited to the History Channel's testosterone-fueled documentary approach. Viewers familiar with offerings like Battles B.C., Patton 360, and multiple others will recognize this style: loud and kinetic, flashy and unsubtle, Gettysburg blends reenactments, photos, CGI (used to depict and dissect the weaponry that made the Civil War's body count so high in general, with some 50,000 casualties at Get! tysburg alone), Sam Rockwell's macho voice-over narration, act! ors read ing the reminiscences of the participants, and a variety of expert talking heads holding forth. For the most part, it works; historians and Civil War buffs have already noted some of the factual errors, important omissions, and other problems with the material, but those less versed in the details will come away from this 94-minute program (which was executive produced by noted directors Tony and Ridley Scott) with a good deal of information about the confrontation that inspired President Abraham Lincoln's immortal address, referenced near the end of the documentary. Typical of the History Channel, some of this information is delivered in hyperbolic, melodramatic fashion. Gettysburg was "the largest battle ever fought in the Western Hemisphere," while the cannons that blasted away at Gen. Robert E. Lee's men during the fateful attack known as Pickett's Charge was "the largest artillery barrage ever" in that same sphere; numerous other events are the biggest, the most iconic,! the most important, and so on. The overheated writing does Gettysburg no favors, but director Adrian Moat and the other filmmakers' decision to focus on a variety of individuals on both sides was a wise one. Thus we learn about characters like Maj. Gen. Dan Sickles of the North, who had killed his wife's lover before the war and successfully used "the first plea of temporary insanity in U.S. history" to win acquittal; Pvt. Amos Humiston, another Yank, who died on the streets of the Pennsylvania town with nothing to identify him except a photo of his three sons; Confederate Lt. Gen. Dick Ewell, who had vowed revenge after losing a leg earlier in the war; Col. James Wallace, a Marylander who was both a Union officer and slave owner; and numerous others. In the end, it's these portraits that help distinguish the program from the many, many others of its ilk. --Sam Graham“[I]n a larger sense, we can not dedicateâ€"we can not consecrateâ€"we can not hallowâ€"thi! s ground. The brave men, living and dead, who struggled here, ! have con secrated it, far above our power to add or detract.”
â€"President Abraham Lincoln

James M. McPherson, the Pulitzer Prizeâ€"winning author of Battle Cry of Freedom, and arguably the finest Civil War historian in the world, walks us through the site of the bloodiest and perhaps most consequential battle ever fought by Americans.

The events that occurred at Gettysburg are etched into our collective memory, as they served to change the course of the Civil War and with it the course of history. More than any other place in the United States, Gettysburg is indeed hallowed ground. It’s no surprise that it is one of the nation’s most visited sites (nearly two million annual visitors), attracting tourists, military buffs, and students of American history.

McPherson, who has led countless tours of Gettysburg over the years, makes stops at Seminary Ridge, the Peach Orchard, Cemetery Hill, and Little Round Top, among other key locations. He reflect! s on the meaning of the battle, describes the events of those terrible three days in July 1863, and places the struggle in the greater context of American and world history. Along the way, he intersperses stories of his own encounters with the place over several decades, as well as debunking several popular myths about the battle itself.

What brought those 165,000 soldiersâ€"75,000 Confederate, 90,000 Unionâ€"to Gettysburg? Why did they lock themselves in such a death grip across these once bucolic fields until 11,000 of them were killed or mortally wounded, another 29,000 were wounded and survived, and about 10,000 were “missing”â€"mostly captured? What was accomplished by all of this carnage? Join James M. McPherson on a walk across this hallowed ground as he be encompasses the depth of meaning and historical impact of a place that helped define the nation’s character.Gettysburg â€" Director’s Cut
Marking the 150th-anniversary commemoration of ! the Civil War, Ronald F. Maxwell’s acclaimed film now arrive! s in a D irector’s Cut featuring 17 minutes of compelling additional footage. Filmed at actual battle locations and full of authentic details, this rousing and soulful movie plunges you into the heat of the bloodiest battle fought on American soil. History comes alive with intense and spirited battles as well as the dilemmas, motivations and fears of the leaders. Tom Berenger, Jeff Daniels, Martin Sheen and Stephen Lang star in this magnificent epic based on Michael Shaara's Pulitzer Prize-winning The Killer Angels.
Gods & Generals â€" Extended Director’s Cut Reedited from beginning to end with amplified scenes and an added subplot, this all-new Extended Director’s Cut of Ronald F. Maxwell’s Gettysburg prequel restores his original vision of the fierce allegiances and combat of the early American Civil War. From Jeffrey M. Shaara’s bestseller, this commemorative release coinciding with the 150th anniversary of the North/South conflict incorporates an hour of f! ootage never seen before. The story of actor and future Presidential assassin John Wilkes Booth (Chris Conner) is newly integrated throughout the narrative alongside the legendary heroism of Joshua Chamberlain (Jeff Daniels), “Stonewall” Jackson (Stephen Lang) and Robert E. Lee (Robert Duvall). And the battle of Antietam is now included along with the fateful clashes at Manassas, Fredericksburg and Chancellorsville.GETTYSBURG - DVD Movie

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