Jumat, 11 November 2011

A Dog of Flanders

  • A DOG OF FLANDERS (DVD MOVIE)
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselve! s in the masterpieces of the literary giants, it is must-have addition to any library.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Digitally Restored and Re-mastered â€" Presented in its Original Aspect Ratio

A charming tale of love, friendship and a dog named Patrasche…
Nello (David Ladd) and his grandfather (Donald Crisp) live a poor, unhappy life, until they find a wounded dog by the side of the road. They care for their new “friend,” who recovers and gives Nello the hope to pursue his dream of becoming an artist.

10 Things I Hate About You

  • 10 THINGS I HATE ABOUT YOU (DVD MOVIE)
Opposites attract with irresistible force in this fresh, funny, feel-good comedy about two mismatched teens who scheme to make their ex's jealous. Melissa Joan Hart (TV's "Sabrina the Teenage Witch") is "picture perfect" (CBS-TV, Fort Worth) as a peppy preppy who performs the ultimate makeover on her scruffy next-door neighbor (Adrian Grenier) - and discovers this former "frog" was a prince all along! With a screenplay by Rob Thomas (Dawson's Creek), a cast featuring today's hottest young stars, plus the smash hit songs "Crazy" (Britney Spears), and "I Want It That Way" (Backstreet Boys), "Drive Me Crazy" is "worth celebrating!" (Detroit Free Press)This conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky c! ritique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomf! ortably with the movie's production values, resulting in a cur! iously p rovocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerStudio: Tcfhe Release Date: 12/09/2008This conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, b! ut Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerAn irresistible cast of Hollywood's young faces star in this fun, sexy comedy hit about the power of attraction and the pressures of popularity! Stung when his bombshell girlfriend abruptly dumps him for a TV celebrity, big man on campus Zack Siler (Freddie Prinze Jr., SCOOBY-DOO, BOYS AN! D GIRLS, DOWN TO YOU) wagers with a classmate he can quickly t! urn any girl -- even the school's biggest geek, Laney Boggs (Rachel Leigh Cook, TEXAS RANGERS, JOSIE AND THE PUSSYCATS) -- into the prom queen! He wasn't, however, betting on falling in love! After an amazing makeover, Laney is transformed from nobody to knockout ... but when she learns of Zack's deception, it could ruin any chance he had with his newfound dream girl! With a hip, modern soundtrack and a hilarious story that audiences loved, this great comedy is all that ... and more!This charming update of Pygmalion (by way of the John Hughes oeuvre, most notably Pretty in Pink) rode the crest of the late-'90s wave of immensely popular teen films (Varsity Blues, etc.), thanks primarily to the immense charisma of its two leads, Freddie Prinze Jr. and Rachael Leigh Cook. When school star Zach (Prinze)--who's a jock, smart, and popular--gets dumped by vacuous Taylor (Jodi Lyn O'Keefe) after spring break, he's left dateless for the all-important prom. With a! little goading from his less-than-sensitive best friend (hunky Paul Walker), he bets that he can make any girl into prom queen a mere eight weeks before the dance. The object of their wager: misfit Laney (Cook), a gawky art student too busy with her paintings and taking care of her brother and dad to worry about school politics. However, after a couple looks from Zach, and a few dates that reveal him to be a hunk of substance, Laney's armor begins to melt--and her stock at school soars. Soon enough, she's the lone candidate for prom queen against the bitchy and relentless Taylor.

What elevates She's All That above the realm of standard teen fare is its mixture of good-natured fairy-tale romance and surprisingly clear-eyed view of high school social strata. The lines of class are demarcated as clearly as if in a Jane Austen novel, but the satire is equally deflating and affectionate. Sure, high school could be bad sometimes, but it was lots of fun too; this is a! movie good-natured enough to take time out for an extended hi! p-hop da nce number at the prom. Director Robert Iscove (who also helmed the Brandy-starring TV adaptation of Cinderella) has also assembled a great young cast, including a scene-stealing Anna Paquin as Zach's no-nonsense sister, Kieran Culkin as Laney's geeky brother, and a stupidly goofy Matthew Lillard as a Real World cast member whose arrival shakes things up a little too much. And amidst all the comedy and prom drama, you'd be hard-pressed to find two teen stars as talented, attractive, and appealing as Prinze and Cook. Prinze is an approachable and sensitive jock, though it's Cook who's the true star, investing Laney with confidence, humor, and heart. Like Zach, you'll be hard-pressed not to fall in love with her. By the story's end, both Cook and the film will have charmed the socks off of you. --Mark EnglehartThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns he! r grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily comm! enting on school spirit and popularity. These themes wrestle u! ncomfort ably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerWHATEVER IT TAKES - DVD MovieWhatever It Takes initially seems little more than another comedy with impossibly attractive teenagers trying to get into each other's pants. Ryan (Shane West) is a bit of a geek with eyes for the school sex bomb, Ashley (Jodi Lyn O'Keefe), which induces cringing in his neighbor and best friend, Maggie (Marla Sokoloff), a cute intellectual girl. But popular jock Chris (James Franco) has his eye on Maggie, and he offers to help Ryan win Ashley if Ryan will help Chris woo Maggie. So begins a two-headed variation on Cyrano de Bergerac; Ryan composes soulful e-mails for Chris, and Chris advises Ryan to treat Ashley like dirt, which seems to be the only way to get her attention.

At! first, neither finds it easy to change their ways; Chris comes on too strong, and Ryan is too nervous to be a jerk. But as they start to succeed, Ryan begins to see Maggie in a new light and wonders if he's pursuing the right girl. Which could all be very standard and shallow, but as the story unfolds the movie examines staying true to yourself and finding self-worth in surprisingly trenchant and unpreachy ways. Which is not to say that Whatever It Takes is high-minded--everyone's excessively good-looking and prone to wearing tight or revealing clothing, and there's a subplot about a kid who aspires to achieve school immortality through a topnotch prank. But the movie offers more than you might expect, which sets it apart from many of the recent swarm of teen flicks. --Bret Fetzer10 THINGS I HATE ABOUT YOU - DVD MovieIt's, like, Shakespeare, man! This good-natured and likeable update of The Taming of the Shrew takes the basics of Shakespeare's farce ab! out a surly wench and the man who tries to win her and transfe! rs it to modern-day Padua High School. Kat Stratford (Julia Stiles) is a sullen, forbidding riot grrrl who has a blistering word for everyone; her sunny younger sister Bianca (Larisa Oleynik) is poised for high school stardom. The problem: overprotective and paranoid Papa Stratford (a dryly funny Larry Miller) won't let Bianca date until boy-hating Kat does, which is to say never. When Bianca's pining suitor Cameron (Joseph Gordon-Levitt) gets wind of this, he hires the mysterious, brooding Patrick Verona (Heath Ledger) to loosen Kat up. Of course, what starts out as a paying gig turns to true love as Patrick discovers that underneath her brittle exterior, Kat is a regular babe. The script, by Karen McCullah Lutz and Kirsten Smith, is sitcom-funny with peppy one-liners and lots of smart teenspeak; however, its cleverness and imagination doesn't really extend beyond its characters' Renaissance names and occasional snippets of real Shakespearean dialogue. What makes the movie energeti! c and winning is the formula that helped make She's All That such a big hit: two high-wattage stars who look great and can really act. Ledger is a hunk of promise with a quick grin and charming Aussie accent, and Stiles mines Kat's bitterness and anger to depths usually unknown in teen films; her recitation of her English class sonnet (from which the film takes its title) is funny, heartbreaking, and hopelessly romantic. The imperious Allison Janney (Primary Colors) nearly steals the film as a no-nonsense guidance counselor secretly writing a trashy romance novel. --Mark Englehart

Into The Cold

  • Award-winning feature-length documentary
  • "One of the five must-see films of the (Tribeca) Film Festival" - the Hollywood Reporter
  • www.intothecold.org
  • www.sebastiancopeland.com
COLD SOULS - DVD MovieSynopsis: In response to shiny, bigger, better American consumerism comes COLD SOULS, first-time feature director Sophie Barthes' surreal comedy in which souls can be extracted and traded as commodities.... In response to shiny, bigger, better American consumerism comes COLD SOULS, first-time feature director Sophie Barthes' surreal comedy in which souls can be extracted and traded as commodities. Balancing on a tightrope between deadpan humor and pathos, and reality and fantasy, the film presents Paul Giamatti as himself, agonizing over his interpretation of Uncle Vanya. Paralyzed by anxiety, he stumbles upon a solution via a New Yorker article about a high-tech company pro! mising to alleviate suffering by extracting souls. Giamatti enlists their services - only to discover that his soul is the shape and size of a chickpea - intending to reinstate it once he survives the performance. Complications ensue when a mysterious, soul-trafficking "mule" borrows Giamatti's stored soul for a talentless, Russian soap-opera actress. Rendered soulless, Paul is left with no choice but to follow the trail back to St. Petersburg. Funny, charming and wildly imaginative, the film explores the profound moods and inner struggles of a man in search of his essence. Also starring David Strathairn, Emily Watson and Dina Korzun. --© IDP/Samuel Goldwyn Films

“A highly relevant and much-needed historical study . . . One of the best books on the period to have been written.” â€"The Economist

To the amazement of the public, pundits, and even the policymakers themselves, the ideological and political conflict that endange! red the world for half a century came to an end in 1990. How d! id that happen? What had caused the cold war in the first place, and why did it last as long as it did? To answer these questions, Melvyn P. Leffler homes in on four crucial episodes when American and Soviet leaders considered modulating, avoiding, or ending hostilities and asks why they failed. He then illuminates how Reagan, Bush, and, above all, Gorbachev finally extricated themselves from the policies and mind-sets that had imprisoned their predecessors, and were able to reconfigure Soviet-American relations after decades of confrontation.

Into the Cold: A Journey of the Soul is an award-winning feature-length documentary that follows two men's dramatic expedition to the North Pole widely considered the toughest on Earth. As magnificent as it is inhospitable, this is an environment that is rapidly vanishing. The film follows noted environmental advocate, photographer, and polar explorer Sebastian Copeland through his intensive training before embarking on the two-month, 400+ mile trip on foot across the frozen ice cap with his partner Keith Heger. From personal reflections to last minute preparations, the story shifts when the two men are dropped onto the ice, fiaced with temperatures in excess of -50F, alone for millions of square miles, and armed with only their courage and determination. "Into the Cold takes you deep into the stark reality of an expedition to this vanishing place in a way rarely seen on film. Pay attention, this is an important film!" -- Ridley Scott (Director, Blade Runner, Gladiator)

Deathwatch

  • DVD Details: Actors: Jamie Bell, Ruaidhrí Conroy, Mike Downey, Laurence Fox, Roman Horak
  • Directors: Michael J. Bassett
  • Format: Closed-captioned, Dolby, DVD, NTSC. Region: Region 1 (U.S. and Canada only)
  • Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: June 22, 2004; Run Time: 94 minutes
BELOW - DVD MovieOn what was supposed to be a routine rescue mission during World War II, the submarine USS Tiger Shark picks up three survivors of a U-boat attack. But the crew begins to noticeâ€"while trapped together in the sub's narrow corridors and constricted spacesâ€"that the visitors seem to spark a series of chilling, otherworldly occurrences. Starring Hollywood favorites Olivia Williams (TV's Dollhouse), Zach Galifianakis (The Hangover Part II), Jason Flemyng (Clash of the Titans), Bruce Greenw! ood (Barney's Version) and Matthew Davis (TV's The Vampire Diaries).ENEMY BELOW - DVD MovieThree quarters of her crew are deep sea miners, geneoids, humans designed with aquatic traits that have created creatures of such beauty that Victoria can’t help but be drawn to them, particularly the merman, Raphael. When he claims her as his companion, he places her in an untenable position, but Victoria quickly discovers that the rules set down by the company that has betrayed them all are of no concern to her when it comes to Raphael, and that she is just as determined to have him as the company is to part them forever.


The Romance Studio
Reviewed by Sara Sawyer
Overall Rating: 5 Hearts!

Ms. O'Connor weaves a marvelous futuristic and thrilling book. This novel captures your attention from the first page as each character imbeds themselves into your psyche. Raphael is a genetic experiment that understands that most o! f the "pure" humans rank him somewhere below themselves, yet a! bove fis h. While he does understand this, he does not accept it. Raphael is a strong, beautiful and supremely complex man and a perfect counterpart to Victoria's rule-abiding, open minded self. Together the main characters make the story come alive. The threats, the insecurities, the mystery that surrounds Kay and its blood-colored water is enthralling and well worth the journey.


Three quarters of her crew are deep sea miners, geneoids, humans designed with aquatic traits that have created creatures of such beauty that Victoria can’t help but be drawn to them, particularly the merman, Raphael. When he claims her as his companion, he places her in an untenable position, but Victoria quickly discovers that the rules set down by the company that has betrayed them all are of no concern to her when it comes to Raphael, and that she is just as determined to have him as the company is to part them forever.


The Romance Studio
Reviewed by Sara Sawyer
Ove! rall Rating: 5 Hearts!

Ms. O'Connor weaves a marvelous futuristic and thrilling book. This novel captures your attention from the first page as each character imbeds themselves into your psyche. Raphael is a genetic experiment that understands that most of the "pure" humans rank him somewhere below themselves, yet above fish. While he does understand this, he does not accept it. Raphael is a strong, beautiful and supremely complex man and a perfect counterpart to Victoria's rule-abiding, open minded self. Together the main characters make the story come alive. The threats, the insecurities, the mystery that surrounds Kay and its blood-colored water is enthralling and well worth the journey.


DEATHWATCH - DVD Movie

Giottos AA1900 Rocket Air Blaster Large - Black

  • Stands upright
  • 7.5-Inch long
  • 2.25-Inch long nozzle
  • 2.4-Inch diameter
  • Durable long-lasting construction
The Big Squeeze takes a fresh, probing, and often shocking look at the stresses and strains faced by tens of millions of American workers as wages have stagnated, health and pension benefits have grown stingier, and job security has shriveled.

Going behind the scenes, Steven Greenhouse tells the stories of software engineers in Seattle, hotel housekeepers in Chicago, call center workers in New York, and janitors in Houston, as he explores why, in the world’s most affluent nation, so many corporations are intent on squeezing their workers dry. We meet all kinds of workers: white collar and blue collar, high tech and low tech, middle income and low income; employees who stock shelves during a hurricane while locked inside their store, get fired! after suffering debilitating injuries on the job, face egregious sexual harassment, and get laid off when their companies move high-tech operations abroad. We also meet young workers having a hard time starting out and seventy-year-old workers with too little money saved up to retire.

The book explains how economic, business, political, and social trendsâ€"among them globalization, the influx of immigrants, and the Wal-Mart effectâ€"have fueled the squeeze. We see how the social contract between employers and employees, guaranteeing steady work and good pensions, has eroded over the last three decades, damaged by massive layoffs of factory and office workers and Wall Street’s demands for ever-higher profits. In short, the postâ€"World War II social contract that helped build the world’s largest and most prosperous middle class has been replaced by a startling contradiction: corporate profits, economic growth, and worker productivity have grown strongly while wor! ker pay has languished and Americans face ever-greater pressur! es to wo rk harder and longer.

Greenhouse also examines companies that are generous to their workers and can serve as models for all of corporate America: Costco, Patagonia, and the casino-hotels of Las Vegas among them. Finally, he presents a series of pragmatic, ready-to-be-implemented suggestions on what government, business, and labor should do to alleviate the squeeze.

A balanced, consistently revealing exploration of a major American crisis.2002 compilation includes for the initial pressing a bonus limited edition B-sides disc with 19 tracks, 'Suites From Five Strangers', 'Squabs On Forty Fab', 'Model', 'Spanish Guitar', 'Elephant Girl', 'Trust', 'Yap Yap Yap', 'Fortnight Saga', 'Wedding BeWhy, in the world's most affluent nation, are so many corporations squeezing their employees dry? In this fresh, carefully researched book, New York Times reporter Steven Greenhouse explores the economic, political, and social trends that are transforming America's work! places, including the decline of the social contract that created the world's largest middle class and guaranteed job security and good pensions. We meet all kinds of workersâ€"white-collar and blue-collar, high-tech and low-tech, middle-class and low-incomeâ€"as we see shocking examples of injustice, including employees who are locked in during a hurricane or fired after suffering debilitating, on-the-job injuries.

With pragmatic recommendations on what government, business and labor should do to alleviate the economic crunch, The Big Squeeze is a balanced, consistently revealing look at a major American crisis.


From the Trade Paperback edition.Why, in the world's most affluent nation, are so many corporations squeezing their employees dry? In this fresh, carefully researched book, New York Times reporter Steven Greenhouse explores the economic, political, and social trends that are transforming America's workplaces,! including the decline of the social contract that created the! world's largest middle class and guaranteed job security and good pensions. We meet all kinds of workersâ€"white-collar and blue-collar, high-tech and low-tech, middle-class and low-incomeâ€"as we see shocking examples of injustice, including employees who are locked in during a hurricane or fired after suffering debilitating, on-the-job injuries.

With pragmatic recommendations on what government, business and labor should do to alleviate the economic crunch, The Big Squeeze is a balanced, consistently revealing look at a major American crisis.


From the Trade Paperback edition.Large black Rocket Air Blaster easily removes dust and debris from cameras, lenses and filters with a powerful blast of air. Made of rubber. Includes a one-way valve to prevent Blaster from breathing in dust and spreading it back to your equipment.

Playskool Playskool Poppin' Park Eelefun Busy Ball Popper

  • Once The Balls Pop Out Of The Elephant's Trunk, It's Anybody's Guess Which Way They'll Roll - Into The Belly For Put-And-Take Play, Across The Room For Baby To Crawl After, Or Back Through The Trunk For More Poppin' Surprises.
  • With 10 Fun Tunes To Play And This Elephant's Trunk Controlling The Poppin' Direction, The Play Is Exciting, Engaging And, Most Of All, Fun!
  • With 10 fun tunes to play and this elephant's trunk controlling the poppin' direction, the play is exciting, engaging and, most of all, fun! Includes elephant, stability base, ear attachment, 5 balls and instructions.
  • Lively air-powered, ball-poppin? elephant features fun, upbeat music and comes complete with five balls!
  • Elephant figure plays 10 tunes! Start the action with easy push-button activation. Includes elephant, stability base, ear attachment, 5 balls and instructions.

Get ready for some ! poppin', droppin' fun with the Poppin’ Park Elefun Busy Ball Popper from Playskool! This lively air-powered, ball-poppin’ elephant features fun, upbeat music and comes complete with five balls. As baby grows, you control the level of play with a trunk that turns 360 degrees!

Requires 4 “D” batteries (not included). Adult assembly required. Ages 9 months and up.

Engage your baby in put-and-take play with the lively Playskool Elefun Busy Ball Popper. Designed for children 9 months and older, this elephant will delight young children with its upbeat music and engaging ball-popping action. Easy push-button activation allows your child to choose between 10 songs. The toy's baby-friendly design also encourages young children to reach, grab, and crawl.

Playskool Logo
Poppin Park
Elefun Busy Ball Popper
  • Ages: 9 months and up
  • Requires: Adult assembly; 4 D batteries; Phillips screwdriver
At a Glance:
  • Air-powered elephant pops balls out of its trunk
  • Toy engages children in put-and-take play
  • Child can choose between 10 upbe! at tunes
  • Includes five colorful, lightweight balls
  • Sturdy construction ideal for young children
Playskool Poppin Park Elefun Busy Ball Popper
Control the level of play with turning a trunk 360 degrees. View larger.
Playskool Poppin Park Elefun Busy Ball Popper
Helps develop hand/eye coordination. View larger.
Toy Encourages Coordination and Motor Skills

This toy helps your child practice hand-eye coordination and develops fine motor skills through grabbing balls from the elephant's tummy and dr! opping them in the elephant's ears. It also provides a fun way! for chi ldren to learn cause and effect. When a child drops balls into the toy, the balls pop out in a different place.

Even babies will enjoy grabbing the colorful, lightweight balls from the elephant's tummy and watching them pop up through its trunk.

Lively Music Engages Children

This toy plays a variety of upbeat music for your child to enjoy. A large button on the elephant's hand makes it easy for your little one to switch between songs. One young tester loved the noise, but was startled by the popping balls.

The noise made by the toy--akin to a vacuum cleaner in a video arcade--may become tiresome to adults with extended play. Fortunately, children can engage in put-and-take play even when the toy is in the "off" position, but an adult will need to tip the elephant over to dislodge balls placed in its trunk. Even when the toy was turned on, our tester found that balls occasionally did not pop as they were supposed to and required adult interventio! n.

Sturdy Construction Ideal for Young Children

The sturdy design of the plastic elephant makes this an ideal toy for babies eager to practice sitting, crawling, and pulling up. Your child can sit and watch the elephant as it shoots balls from its trunk or crawl after the colorful balls. The toy is also stable enough that your child can use it to assist in pulling up.

The toy's movable, air-powered trunk can be positioned to pop balls towards one of the ears or across the room. An adult will need to move the trunk into place as it is too difficult for a child to manipulate. During assembly, the stabilizer and ears also required a large amount of force to click into place. That said, the setup was straightforward and quick, taking less than 10 minutes, and required just four D batteries (not included).

What's in the Box

Elefun Busy Ball Popper, five balls, four D batteries, and instructions.


Live Free or Die Hard [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • Widescreen
A New York policeman outwits foreign thugs holding his wife and others in a Los Angeles high-rise.Die Hard
Bruce Willis stars as New York City Detective John McClane, newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as Mclane waits for his wife's office party to break up, terrorist take control of the building. While the terrorist leader, Hans gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.

Die Hard 2
Bruce Willis returns as the heroic cop who battles not only terrorists, but also an incompetent airport police chief (Dennis Franz), th! e hard-headed commander (John Amos) of the Army's anti-terrorist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife (Bonnie Bedelia) is trapped on one of the planes circling overhead, which is desperately low on fuel. It's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!

Die Hard 3
The third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.

Live Free or Die Hard
"The best of the best is back and better than ever" (WNYW-TV) in the latest installment of the pulse-pounding, thrill-a-minute Die Hard action films. New York City detective John McClane (Bruce Willis) delivers old-school justice to a new breed of terrorists when a ma! ssive computer attack on the U.S. infrastructure threatens to ! shut dow n the entire country over Independence Day weekend.Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. D! irector John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaitin! g his wife's (Bedelia) plane to arrive at Dulles Airport when ! he stumb les onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clu! es to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powe! red weaponry show up, telling McClane that once again he's stu! mbled in to an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barel! y alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David HoriuchiContains: *Die Hard *Die Hard Bonus Disc *Die Hard 2: Die Harder *Die Hard 2: Die Harder Bonus Disc *Die Hard: With a Vengeance *Die Hard: With a Vengeance Bonus DiscDie Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick! off his enemies one by one. Thus was born the "Die Hard genre, " epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer f! or.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order a! ctor Fred Thompson as the head of air traffic control.

The! third f ilm in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary E! lizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses. Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Veng! eance along with some of the pick-'em-off-one-by-one eleme! nts of t he now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David HoriuchiDIE HARD COLLECTION - DVD MovieOne of the greatest action movies of the late 1980s, DIE HARD ushered in a new standard for the genre. With the dissolution of the Cold War, both the stereotypical Russian threat (represented in movies such as TOP GUN and RED DAWN) and the destructive egoist (as seen in OCTOPUSSY) became less fearful. With DIE HARD, director John McTiernan introduced Hollywood to a new type of villain: the terrorist entrepreneur. Alan Rickman sta! rs as Hans Gruber, a relentless businessman whose lethal tactics achieve his goals. Unlike most '80s film villains who committed globally dangerous acts for liberty, genocide, or megalomania, DIE HARD's Gruber uses guns, explosives, and cunning to storm the Takagi Corporation's Christmas party and heist millions of dollars from the company. In addition, DIE HARD also saw the development of the clumsy or bad luck hero with John McClane (Bruce Willis), a man in the wrong place at the wrong time who chooses to intervene. Action fans would see this misfit hero archetype again in UNDER SIEGE (Steven Segal) and THE PHANTOM MENACE (Jar Jar Binks). Although DIE HARD contains many action movie cliches (one-liners, pyrotechnics), it also broke new ground in its genre.John mcclane takes on an internet based organization who is systematically shutting down the united states. Studio: Tcfhe Release Date: 10/14/2008 Starring: Bruce Willis Kevin Smith Run time: 130 minutes Rating: Ur ! Director: Len WisemanThe third installment of the hugely succ! esful Di e Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.The second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineThe second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willi! s) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineBruce Willis returns as the heroic cop who battles not only terrorists, but also an incompetent airport police chief (Dennis Franz), the hard-headed commander (John Amos) of the Army's anti-terrorist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife (Bonnie Bedelia) is trapped on one ! of the planes circling overhead, which is desperately low on f! uel. It 's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Bruce Willis) is awaiting his wife's (Bonnie Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, ! early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control. --David Horiuchi"The best of the best is back and better than ever" (WNYW-TV) in the latest installment of the pulse-pounding, thrill-a-minute Die Hard action films. New York City detective John McClane (Bruce Willis) delivers old-school justice to a new breed of terrorists when a massive computer attack on the U.S. infrastructure threatens to shut down the entire country over Independence Day weekend.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy! ") who might help the FBI learn something about a brief securi! ty blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of! the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David Horiuchi

Stills from Live Free or Die Hard (click for larger image)

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First Sunday : Widescreen Edition

  • Widescreen
FIRST SUNDAY (DVD MOVIE)Ice Cube continues his winning streak as a likeable everyman in family movies with First Sunday, an initially silly, disposable comedy that picks up emotional power and authenticity by the second act. Cube plays ne’er-do-well Durell, an out-of-work Baltimore dad who needs over $17,000 to keep his ex from taking their son with her to Atlanta for good. Desperate to raise the cash but hamstrung by his self-defeating attitude and the criminal antics of his goofy sidekick, LeeJohn (Tracy Morgan), Durell gives in to temptation and decides he and LeeJohn should rob a church. The crime goes badly when it turns out a number of parishioners are in the building at the time, and a hostage situation develops. Events take a twist when the would-be thieves become the beneficiaries of Christian charity and forgiveness from the men and women they’ve kidnapped, and! a bigger criminal is revealed in the congregation’s mix. A terrific supporting cast including Michael Beach, Chi McBride, Keith David, Malinda Williams, Loretta Devine, and Katt Williams bring strong humor and dignity to the film’s latter half, compensating for some unpleasant missteps (a pointless scene at a massage parlor) earlier in the story. Writer-director David E. Talbert is especially sharp during a spirited, gospel performance scene, which simply crackles on screen. --Tom KeoghFIRST SUNDAY - Blu-Ray MovieIce Cube continues his winning streak as a likeable everyman in family movies with First Sunday, an initially silly, disposable comedy that picks up emotional power and authenticity by the second act. Cube plays ne’er-do-well Durell, an out-of-work Baltimore dad who needs over $17,000 to keep his ex from taking their son with her to Atlanta for good. Desperate to raise the cash but hamstrung by his self-defeating attitude and the criminal antic! s of his goofy sidekick, LeeJohn (Tracy Morgan), Durell gives ! in to te mptation and decides he and LeeJohn should rob a church. The crime goes badly when it turns out a number of parishioners are in the building at the time, and a hostage situation develops. Events take a twist when the would-be thieves become the beneficiaries of Christian charity and forgiveness from the men and women they’ve kidnapped, and a bigger criminal is revealed in the congregation’s mix. A terrific supporting cast including Michael Beach, Chi McBride, Keith David, Malinda Williams, Loretta Devine, and Katt Williams bring strong humor and dignity to the film’s latter half, compensating for some unpleasant missteps (a pointless scene at a massage parlor) earlier in the story. Writer-director David E. Talbert is especially sharp during a spirited, gospel performance scene, which simply crackles on screen. --Tom KeoghMartin Lawrence leads an all-star cast including Cedric the Entertainer Mo'Nique and Mike Epps in the hit comedy Welcome Home Roscoe Jenkins. W! hen a celebrated TV show host (Lawrence) returns to his hometown in the South his family is there to remind him that going home is no vacation! It's one outrageous predicament after another when big-city attitude and small-town values collide in this hysterical comedy critics are praising for its "over-the-top hilarity!" (Roger Moore Orlando Sentinel)System Requirements:Running Time: 114 minutesFormat: DVD MOVIE Genre: COMEDY/FAMILY GATHERINGS Rating: PG-13 UPC: 025195015875 Manufacturer No: 61101992FIRST SUNDAY - 3? Mini DVD for PHIce Cube continues his winning streak as a likeable everyman in family movies with First Sunday, an initially silly, disposable comedy that picks up emotional power and authenticity by the second act. Cube plays ne’er-do-well Durell, an out-of-work Baltimore dad who needs over $17,000 to keep his ex from taking their son with her to Atlanta for good. Desperate to raise the cash but hamstrung by his self-defeating attitude and the cri! minal antics of his goofy sidekick, LeeJohn (Tracy Morgan), Du! rell giv es in to temptation and decides he and LeeJohn should rob a church. The crime goes badly when it turns out a number of parishioners are in the building at the time, and a hostage situation develops. Events take a twist when the would-be thieves become the beneficiaries of Christian charity and forgiveness from the men and women they’ve kidnapped, and a bigger criminal is revealed in the congregation’s mix. A terrific supporting cast including Michael Beach, Chi McBride, Keith David, Malinda Williams, Loretta Devine, and Katt Williams bring strong humor and dignity to the film’s latter half, compensating for some unpleasant missteps (a pointless scene at a massage parlor) earlier in the story. Writer-director David E. Talbert is especially sharp during a spirited, gospel performance scene, which simply crackles on screen. --Tom Keoghdvd
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